The Salle Pleyel

Even though I don’t use “The Daily Prompt” on WordPress anymore because I’ve done them already (when I do, I use the official plugin). I think I’ve been able to do a handful of them, picking up any I missed in 2023. Today’s is “what are you curious about?” I took it to AI and said “I’m interested in intelligence and diplomacy. Can you help me narrow it down?” AI asked what I wanted to focus on and presented a list of topics. There was something in there about “cultural ambassadorship,” and 30 seconds later I’d made the connection I needed to make.

I told her that I was interested in cultural ambassadorship. How jazz musicians could have made wonderful intelligence officers if they’d been asked. Most of the time, when they were working for CIA, they didn’t know it. Nina Simone was hounded relentlessly regarding her civil rights activism, alternately being used for her musical gifts overseas.

Duke Ellington, though, has to take the cake. I have pegged him as a very natural choice for an intelligence officer and not because of jazz. Because of Langley. He grew up here. He was familiar with the rhythms of DC, he was familiar with the lingo, and everything was unconfirmed for a number of years. Ellington being CIA was not revealed during his lifetime, but it brings new context to the piece I wrote about after seeing Jason Moran in concert, “Black & Tan.”

In the blog entry of the same name, I talked about “Black & Tan” being a representation of some sort of storm. Written in 1926, a “black and tan” was a club where people of color could gather; these clubs were often targeted by the police, thus I was not wrong to think Jason’s interpretation was meant to convey anger and turmoil. Jason literally deconstructed music meant for a jazz club and made the piano sound like it was going to conquer the auditorium.

It reflects the life of a spy, because I’m sure it was difficult to be a star in a system that oppressed you (eyeroll. We didn’t give black people a choice to be American, so what does CIA matter?). Jazz lives in me just as much as CIA, another aspect of being nonbinary that feels like wrestling with God. I love stories about spies that do good work. I don’t love stories where the governments those spies work for is oppressing them. But if you are a minority, you’re going to be disrespected and used at any job. Why should CIA be new and different? People outside of DC forget that it’s a perfectly normal organization in terms of being so massive that it’s impossible to have a monolithic opinion of it or its employees. The military encourages “same.” Intelligence encourages “whatever the smartest thing to do is, do that.” Or, they like to think they promote that. They do a better job than other American agencies who have a completely US-centric version of the world.

Those are the type things that Duke Ellington would have seen up close- that being an American in America is different than being an American overseas. In some ways, being African American and traveling all over Europe would have had its benefits, because American racism is so intense. Getting a break from it must have been a relief in some ways, but not much time to enjoy it when you’re performing concerts at night and intelligence operations at all other waking hours.

It speaks to a broader conversation about intelligence in the arts. How it is indeed used to promote cultural ambassadorship, and not just by CIA. That’s an international thing. Intelligence is conducted by artists all the time. Other countries’ assets just have a habit of defecting.

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