If I was guaranteed not to fail, I’d become a billionaire philanthropist and just go around fixing things, like Dolly Parton (get well soon, Dolly). I would join Matt Damon at Water.org, because I think that clean water for the third world is such a worthy goal, and I’d like to write with Matt and Ben Affleck, anyway. The easiest way to meet the people you want to meet is to get involved in their periphery.
For instance, I wanted to meet Jonna Mendez, so I bought her books.
That’s where being an “international man of mystery” comes in. I’ve had more fun with her nonfiction than I’ve had with fiction in years, because real spy stories are right up there with reel… you just have to adjust your expectations to what real life governments can accomplish and forego movie magic.
The police did not chase Tony and the Houseguests down the runway in “Argo.” It was still scary as fuck trying to get past security at the Tehran airport…. but how do you convey that fear to an audience when the terrifying monologue is internal? Just because it didn’t happen in real life doesn’t mean those scenes didn’t play out in Tony’s mind.
Tony and Jonna were the geniuses behind the Argo movie and book, because I guessed and was correct that Jonna was an uncredited writer on “Argo.” And in fact, she said that the book was green lit after the movie because so many people wanted to know the real story- and one of the criticisms of the movie was that America got too much credit, so the book says, “thank you, Canada” about every five pages.
Thank you, Canada, from me as well.
Me being interested in spies starts with Argo, the story of how CIA needed to create a Canadian film crew disguise to get diplomats out of Tehran during the uprising in ’79. I would not have been as interested if my first girlfriend wasn’t Canadian, because it was like I had this weird connection to the story. I realized that I wanted to write scripts that were funny and serious about espionage, but that I’d like to collaborate on scripts because I know so little about both screenwriting and spy craft.
I’ve tried to bridge the gap by reading excellent fiction and nonfiction in the genre, but it’s not the same as being a spy and learning the jargon yourself. So if I was guaranteed not to fail, I’d apply at CIA and see if they had any use for me, because any job at CIA would be useful to me. I would bet that I would learn more by working at the Starbucks than I would in operations, and that’s a fact, Jack.
The world is built on information, and no one pays attention to Starbucks clerks.
What would it be like to out Little Gray Man the Little Gray Men?
I might be the first barista to be invited to a meeting on the seventh floor because I tend to overhear things. I also have the kind of personality where people spill to me without realizing they’ve done it. I would like to be able to use those skills for good, and I think CIA could harness them.
But I’m serious about working in Starbucks, or the mailroom, or anywhere you’re likely to run into people cross-discipline as more effective a job at CIA for being a writer. You don’t just want to learn the jargon of one directorate or department, and each has a bit different patois depending on the area of the world.
Because in the end, it’s all about the writing. Being an international man of mystery is a secondary goal, because what I’d really like is a career similar to John Le CarrĂ©. But he had to go through the trenches at MI-6 to get it.
Of course, the other thing that appeals to me is social media direction at CIA, becoming one of those characters like “Molly,” who brings you inside the fold and tells you what you’re allowed to know. For instance, according to Molly, the Starbucks at Langley is the busiest in the world.
Which reminds me of the Burger King in MiB. I have thought for a long time that MiB is a documentary, that we are all citizens of Locker C.
If I was guaranteed not to fail, I could prove it.
Stories That Are All True 