Even though I don’t use “The Daily Prompt” on WordPress anymore because I’ve done them already (when I do, I use the official plugin). I think I’ve been able to do a handful of them, picking up any I missed in 2023. Today’s is “what are you curious about?” I took it to AI and said “I’m interested in intelligence and diplomacy. Can you help me narrow it down?” AI asked what I wanted to focus on and presented a list of topics. There was something in there about “cultural ambassadorship,” and 30 seconds later I’d made the connection I needed to make.
I told her that I was interested in cultural ambassadorship. How jazz musicians could have made wonderful intelligence officers if they’d been asked. Most of the time, when they were working for CIA, they didn’t know it. Nina Simone was hounded relentlessly regarding her civil rights activism, alternately being used for her musical gifts overseas.
Duke Ellington, though, has to take the cake. I have pegged him as a very natural choice for an intelligence officer and not because of jazz. Because of Langley. He grew up here. He was familiar with the rhythms of DC, he was familiar with the lingo, and everything was unconfirmed for a number of years. Ellington being CIA was not revealed during his lifetime, but it brings new context to the piece I wrote about after seeing Jason Moran in concert, “Black & Tan.”
In the blog entry of the same name, I talked about “Black & Tan” being a representation of some sort of storm. Written in 1926, a “black and tan” was a club where people of color could gather; these clubs were often targeted by the police, thus I was not wrong to think Jason’s interpretation was meant to convey anger and turmoil. Jason literally deconstructed music meant for a jazz club and made the piano sound like it was going to conquer the auditorium.
It reflects the life of a spy, because I’m sure it was difficult to be a star in a system that oppressed you (eyeroll. We didn’t give black people a choice to be American, so what does CIA matter?). Jazz lives in me just as much as CIA, another aspect of being nonbinary that feels like wrestling with God. I love stories about spies that do good work. I don’t love stories where the governments those spies work for is oppressing them. But if you are a minority, you’re going to be disrespected and used at any job. Why should CIA be new and different? People outside of DC forget that it’s a perfectly normal organization in terms of being so massive that it’s impossible to have a monolithic opinion of it or its employees. The military encourages “same.” Intelligence encourages “whatever the smartest thing to do is, do that.” Or, they like to think they promote that. They do a better job than other American agencies who have a completely US-centric version of the world.
Those are the type things that Duke Ellington would have seen up close- that being an American in America is different than being an American overseas. In some ways, being African American and traveling all over Europe would have had its benefits, because American racism is so intense. Getting a break from it must have been a relief in some ways, but not much time to enjoy it when you’re performing concerts at night and intelligence operations at all other waking hours.
It speaks to a broader conversation about intelligence in the arts. How it is indeed used to promote cultural ambassadorship, and not just by CIA. That’s an international thing. Intelligence is conducted by artists all the time. Other countries’ assets just have a habit of defecting.
Despite my best intentions, today may be a “show about nothing.” That’s basically all I know about Seinfeld because I wasn’t a fan back in the day. I don’t remember a lot of what I watched in high school except “Animaniacs” and “Jeopardy!” At that age, I was usually sitting on the floor of my bedroom with my headphones on trying to be Miles Davis. I assure you that I always thought I sounded better when I was alone, because I wasn’t focusing on pleasing the crowd and making a show go well.
I do remember the highlights. I was more happy that I impressed Doc than impressing a crowd, because I did a solo in “Come Rain or Come Shine” and Doc’s response was “Leslie Lanagan! 9th Grade, ladies and gentlemen. NINTH GRADE.” I was also the soloist on a local Houston TV show called “Black Voices” (yes. Really. But it wasn’t because Summer Jazz Workshop was all white. It’s because I beat out everyone else. I got that solo from Konrad Johnson, director of one of the most famous jazz bands in the nation- Kashmere High School. I’ve mentioned this before, but Kashmere got a chart on the soundtrack to “Baby Driver,” and Konrad, who has now passed, is memorialized in a bigger way than just locally in Houston.
When a black jazz director picks the white boy for a solo on a television show called “Black Voices,” it means the fucking world. I have rarely felt more “I’m on top of the world” than that. It’s also really funny in retrospect.
If I had to describe my sound, it’s very much like Wynton Marsalis. This is because he’s who I studied the most closely to learn both jazz and classical. Let me tell you about the time I met Wynton. I walked right up to him and said, “Wynton, I’ve waited my whole life to meet you.” It’s funny because I was 15 and also true. I’ve been listening to Wynton since I was in the womb because my dad is also a trumpet player. You can see him most weeks on the Second Baptist broadcast in Houston, or streaming over the Internet.
My dad’s claim to fame is that when he was in high school, he went to the 50 yard line and played “The Star Strangled Banana” all by himself instead of having a singer and accompaniment. I have no doubt that it was absolutely gorgeous, because I inherited his “elements of style.”
Speaking of which, a bookstore worker was talking on Reddit about how this person came in and said she needed a book for her daughter, who was a writer. It was by “shrunken white,” and EVERYONE was confused. But what writer wouldn’t have known it from “shrunken white?”
(It’s “Elements of Style,” by Strunk & White.)
If I have any advice to give writers (because I’ve done it so many years, not because I think I’m “all that and a bag of chips”), it’s write where you feel the most comfortable. Sometimes, it’s at my desk. Sometimes, it’s under the covers.
Write where you feel the absolute least threatened, because your emotions will flow through you a lot easier that way. You’re still writing about your own head when you’re in fiction mode. It’s just expressed as your characters.
That’s because we’re making it up as we go along, hoping you’ll track with us. Even if you’re an architect to plans in advance, that’s no guarantee that people will track with you. It’s your system, not theirs. I am not an architect. I’m a gardener. I start at one place and dig down. Otherwise, it’s not my diary.
It’s trying to impress the crowd, and this time, I don’t want to do that. I want to move and challenge people so that they’ll come along with me and not the other way around. The right people will gravitate, and whether that’s a hundred or 10 million is of no consequence to me because I’m obviously going to write whether people think it’s worthy of money or not. I don’t have to be validated by anyone else. I have received enough praise and been compared to enough people better than me that I feel solid. I don’t have to worry that I’m so far not successful because of lack of talent. If Margaret Cho and Jonna Mendez both think I can write my ass off, then I fucking can.
So, I don’t have to believe the people who say I’m a hack anymore.
In terms of writers to whom I’ve been compared, I get David Sedaris the most frequently. I can be as funny as he is, but I’m not. We don’t often share the same goal, which is to make people laugh outright. Mostly, I can’t because I don’t feel like it. When I’m not feeling funny, I’m not.
And that’s why people come here- to see both the good and the bad- not because mine is better than anyone else’s, but that mine exists over people who aren’t writers. There are lots of people with web sites that don’t actually say anything. I don’t want mine to be one of them.
I would be a powerful speaker in public if I liked my voice, because I have been told I already am a powerful speaker in public. I know this solidly because I have preached sermons multiple times that have been well received. You don’t graduate from being a preacher’s kid without having picked up some tricks over the years. Just because I’m not a minister doesn’t mean I don’t have that patois when I’m writing or in front of a crowd.
I don’t have to believe the people who say I’m not a good preacher.
My grandfather always said “write it tight” because he was a publicity man for Lone Star Steel. He actually learned the same type photography as Jonna Mendez, basically hanging out of an airplane to take overhead photos. It’s interesting to me that she was a spy and he was publicity and yet they learned the same tricks.
In terms of writing it tight, I do in certain sentences because it fits a mood. That mood is the one I’m in at the moment. I am INFJ, neurodivergent, nonbinary, queer, poly, etc. Therefore, I have never made a decision on what kind of person I am in my life.
“The Counselor” personality is a thousand years old when it is born. We are born with a desperate need to search inside ourselves for answers, because we have an absolute neediness when it comes to wanting to improve the world. We need to feel wanted and valued, but the way we do that is by trying to lead people by laying out our vulnerabilities first. It is not a narcissistic game, but a realistic understanding of what it will take to create connection and resolution vs. power over.
My personality is enormous in the smallest of ways. I don’t approach this blog like I’m a god, but that I am whispering into the night and hoping it resonates with other people. This is true among people who do not know me, but is not true among people who know me.
Therefore, I feel like I know Jesus on a deep and spiritual level, and anything written to amplify his life into being divine is not the message and never should have been in the first place.
Sticky, sticky blood theology bothers the everliving shit out of me. That’s because it’s focusing on what I believe was a marketing campaign to spread his story. That I don’t have to have mystery and magic to think that the historical Jesus is valuable and actually taught people things to which they should pay attention. Our entire religion backfired during The Crusades because supposedly religious superiority launched war off a nomadic preacher who taught people to love each other.
Again, it’s the strangest transformation in history.
The first mistake was turning Jesus from a brown person into a white person, and blaming Jews for the crucifixion and not the Romans. He was a destitute homeless person, basically. But he did it by choice.
I do not understand people who trade his supposed glory for what he was actually trying to say– to you and to all the other people in history who have colonized others. My favorite line in The Gospels is “render unto Caesar what it Caesar’s, and render unto God what is God’s.” This is because it’s like he’s telling power to its face “you do you, but okay.”
It’s the messages they’ve missed in the middle of the mess. And I am so tired. Evangelicals are exhausting because they treat Jesus like this professional Christian superhero when he was basically thrown away like white people have thrown away black people for hundreds of years.
There is no reason for this foolishness…. And yet, they persist.
Focusing on the resurrection is not about any of that. It’s being willing to believe that if you will be forgiven for your mistakes, it means you’re allowed to make them. It does not mean you don’t have to say you’re sorry….. And that’s the kind of Christianity that’s woven into the Republican Party.
Recently it was my friend Norman and his wife’s anniversary, and I know she’s a lucky, lucky woman. That’s because when I said on Facebook that I couldn’t find Dr Pepper Zero, and two days later there were like 40 on my porch. It was then that I realized I’d made a horrible mistake. Ryan never bought me any Dr Pepper Zero. ๐ ๐ ๐ Kidding, of course, it was just a sweet gesture that I’ve always remembered it because it made me smile at a time I really needed it. So, when I heard it was his anniversary, I commented and told them both what a beautiful picture it was of them, happy anniversary, all that good stuff.
Later that night, Norman messaged me and we spent a long time catching up. Norman’s memory is all fucked up, because he thinks I wasn’t that bad compared to him. He’s actually one of the few people I knew in symphony that I thought actually would go pro. But he, like my dad, didn’t want to do the gig economy and ended up in tech (my dad went into ministry, but same deal- salary vs. contract).
My freshman year, Norman and I were the only trumpet players in the symphony. The next year, two others joined us, one every bit as talented as Norman, the other person I’m surprised didn’t end up in a symphony somewhere. Symphony playing is extremely refined, and they both had a sound like Maurice Andre, Wynton Marsalis when he’s playing baroque, and exactly none of the other trumpet players I’ve ever studied in my life except Wynton, because he’s a crossover between jazz and classical. Norman and I were from different backgrounds, but we had one thing in common. He liked to win at chess, and I liked to play. I don’t mean that he was ever mean about it, I mean that I’ve never won against him, and I don’t want to even try to beat him. What I have learned is that life is stressful and you should keep your chess engine on level one.
We reminisced about things we’d played:
Sleigh Ride (Norman was the horse)
Beethoven 7
Danse Macabre (Saint-Saenz)
Dvorak Cello Concerto (with Anthony Wheeler)
Blue Danube
Empire Waltz
Rodeo and Fanfare for the Common Man, Copland
Tchaikovsky’s Romeo and Juliet
There were a ton more that I don’t remember, because we sight read every Friday. Norman made me bust out laughing because he said I remember one day when we were transposing a minor third while in a fast tempo and we both just blew it and fell over with laughter.
Our biggest night was my sophomore year, Danny and Norman’s junior, and Laura’s freshman. We were GLADIATORS. The Dvorak Cello Concerto opens with a sectional fanfare in the fourth movement, and it was perfect. The trumpets had entered the motherfucking chat.
I would not be a very good trumpet player if I didn’t say it like that. I am a soprano, line cook, and trumpet player. I joke that with all that ego, I must be completely insufferable….. I mean, I joke about it, but it’s true.
It was just good to again, stretch out. Remember who Norman and I were then, at 15 and 14. Since he was a year older, we didn’t really hang out together, and I’d never thought he’d want to-
Until last night, when music made it seem as if no time had ever passed at all. When I hear his voice in my head, they still have the childhood lilt of his parents’ country. I’m not telling you where he’s from, but I thought it was the coolest thing I’d ever seen that he had a Mercedes-Benz in high school (pronouncing it correctly), because in his country that is a perfectly normal, serviceable car for a brand new driver because I’m not sure that in their country they have other brands. ๐
Former Texans buy Blue Bell and Whataburger when they can get it. Former Marylanders always have Old Bay in the cabinet. When you immigrate from overseas, I doubt there are many parents trusting of American cars for them or their kids, even if they are better (how would I know? I don’t drive. ๐ ).
I thought I was so clever and sophisticated for figuring that out as a freshman. I also liked it because it was fire engine red, and then his younger brother started driving it as well…… his younger brother being an equally talented musician and someone I worked with in Jazz II.
Speaking of Jazz II, I told you that Robert Glasper and Jon Durbin (The Suffers) were in my class, but I forgot to mention Eric Harland, who is one of the most talented drummers I’ve ever met in my life. He is every bit the drummer that Jason Moran is a pianist, and I know this because they’ve been playing together since HSPVA.
This is what I mean about Doc Morgan birthing so much talent….. and also birthing me. ๐ Because I was in Jazz II with these guys, for me it’s enough to know that if I’d continued in college or if I’d been able to get into the Airmen of Note, I would have done all right. I would have had time to fix all my embouchure issues and be able to practice as long as I wanted without pain. I could go six hours at a clip no sweat in terms of hyperfocus on the music, but my lips gave out constantly. Just overworked to the point of tears because I had that high C out of nowhere five seconds ago, and now I’m fucking toast.
Sometimes what saved my ass was adrenaline. When I was frightened, my muscle memory kicked into place and I didn’t feel the pain as bad. It’s just good that marching contests and concerts weren’t even five minutes longer.
We did Rodeo with The Houston Symphony, and Norman told me that he still tells his kids he played with the Houston Symphony. I told him I use it as a non-sequitur all the time at parties. No one here knows me as a musician. So, if there’s a lull in the conversation, I’ll say, “I played with the Houston Symphony, you know.” Then I explain to them that my whole high school orchestra got to play with them for a concert and I wasn’t a soloist or anything. It is done with comedic effect, because I can claim being good at a lot of things. Trumpet playing is not one of them (at least not now). I will not say that I wasn’t good for my age back then, though. I think that’s because there’s nothing that can take getting into a school like HSPVA from me. I wouldn’t have gotten in if I wasn’t at least good enough to nail the audition, and the audition is the hardest part. It was also 14 minutes long. Not enough to fail to impress anyone. I waited until after the wedding to reveal my deficiencies, although it does make me feel quite a bit better about the fact that Norman and I both acknowledged my limitations and he really made me a lot better just by sitting next to me. It was one of the reasons I was ready to spit nails when I found out we were getting two more trumpet players in the orchestra. I mean, it ended up being fun, but I seriously needed that hour with Norman to myself.
As he got better, I did, and it’s because he was available to pay that much attention to me. Since I was the only person that could really talk to him, we spent long rehearsals playing chess in between invaluable trumpet lessons.
But, with Danny being just as good as Norman, I now had two people of elite caliber to teach me to be better. I think that’s because we all had a little bit of an ego that wasn’t easily hurt, it was just fun to lightly tease each other. The rest of the time, the ego was put away. We had shit to do. We were a section, and that only comes from talking to each other.
Just like I got to do last night with Norman…… the first high school reunion I’ve been to in a long time that I actually thought, “we should do this again.” We don’t get many high school friends like that, do we? Seriously, what a gift…….. grateful.
How often do you say โnoโ to things that would interfere with your goals?
The thing about being a writer is that nothing interferes with your goals if you don’t allow it. In my particular case, dropping everything to do something for/with a friend adds to the richness of my writing, not a distraction to it. I think of my blog as one of those video games that you can get lost in, because even after you’ve finished the main quest, you have so many side quests that you keep returning to that world. In this case, the main quest will be over when I die. My “stories that are all true” won’t end unless I do. Therefore, my blog is entirely driven by the way the B plots of my life work out. Everything is a B plot when the A plot is just my time on earth.
The main reason I started writing every single day was just to see if I could. If I could be dedicated to such a thing. That I wouldn’t even take off weekends, that blogging was serious business not to draw people in, but to heal me. I have said this before, but this blog is almost entirely my therapy, because a therapist only spends an hour a week with you. You don’t get well on an hour a week. I began to view writing as important as my medication. I have to take my medication every day to make me feel better, so I process my feelings as well.
Sometimes I wait until the afternoon, but most of the time I wake up, fill my water bottle, take my medication, and start writing. It is now 0524. I have been up and down since 0300, and I don’t know why. Oh, yes I do. When I knock myself out with sleeping pills, I go so deep that I don’t need as much. So, if I go to bed at 2100, I’m guaranteed to be up at o’dark hundred.
Generally, when you get entries later in the day, it’s because Zac goes to bed a lot later than I do, so our day starts later when we’re together. It’s an interruption I’m gladly willing to make, because as a boyfriend, he is killing it. Our next date is going to the Kennedy Center to see Jason Moran, and I’m so excited. I’ve known Jason since he was a senior in high school, when I was a mere freshman. He taught me to listen to jazz and analyze it so that I could repeat it, but he didn’t say that. He said, “never take your headphones off. Listen at home, between classes, have a radio under your pillow.” Guess what. I can analyze jazz now. If I see which way the band is going, I can go with them…… and I got that phrase from Konrad Johnson.
Konrad Johnson was a high school jazz band director in Houston, Texas who made fame. Kashmere’s Jazz band is known all over the world now, because one of their charts is on the soundtrack to “Baby Driver.” The way I know Konrad is that he was my director at Summer Jazz Workshop. I cannot believe that I got to work with the two greatest jazz educators in the history of the world, because my jazz director at HSPVA was Robert Morgan.
“Doc” is directly responsible for Jason Moran, Everette Harp, Eric Harland, Robert Glasper, Jon Durbin (The Suffers)…….. the list is endless, because if you studied jazz in Houston, it was probably with him. Everette was before my time, but Robert, Jon, and I were all in the same band. I didn’t choose to continue with trumpet, but I sometimes wish I had. I enjoyed it, I just didn’t enjoy it as much as my dad did, because he didn’t have the same problems with pain in his embouchure that I did.
I could play for about half an hour at a time, and was pushing myself through every concert ever. I could have corrected it, but there was no time. I was either right before a concert, a jury, a something important I couldn’t miss.
My voice is trained much more than I ever trained as brass, and in retrospect, I should have gone the choir route. I think I would have gotten along with Mrs. Bonner, because I definitely did with Mr. Seible (who was my conductor at Bering UMC). That’s because Mrs. Bonner was also a Methodist. ๐
However, I still wouldn’t have been in class with Beyoncรฉ, because my dad was transferred from The Heights to Sugar Land, and I chose to go to school out there. I was grandfathered in terms of the new rule that you had to live within HISD to go to HSPVA, but I didn’t want to commute. It would have been hell every single morning for two years. For reference, it’s about 27 miles, so half an hour at three in the morning and two hours at 8:00 AM.
It worked out. I had a best friend that picked me up for school every morning, in which we listened to the same tape every day. It was “Three,” by Blood, Sweat, and Tears. As a result, I still listen to that album all the time. “The Battle” and “Lucretia McEvil” are my favorite tracks, particularly Lew Soloff blasting the top off that trumpet solo in “Lucretia.”
I met Lew at a Jon Faddis concert in Virginia in 2002. It was great, because he assumed that if I knew who he and Jon were, I was probably a trumpet player. Good guess, but not currently looking for work. He told me I should audition at Manhattan School of Music, because that’s where he was teaching. It was sweet, but I told him that I just liked watching him and Faddis now. The great thing is that Lew was just a fan. He wasn’t in the band that day, we were just making small talk before we could get on the bus to see Faddis.
So, I was charming to Faddis, and the other guys on the bus started busting his balls because he had a fan. It was great.
So is “Into the Faddisphere.”
It’s all B plot. It’s all richness. It’s all side quests.
Nothing distracts from my goals. Everything is a new layer of complexity. I am aging like fine wine, which often takes on new character as the years roll past.
Do you or your family make any special dishes for the holidays?
I don’t cook anything for holidays anymore, because when I got divorced and moved to DC, I moved in with a family who already had Thanksgiving wired, and I wasn’t the only cook in the house. One of my housemates when I first arrived had gone to Johnson & Wales, and was the chef at Jaleo Crystal City (Jose Andres is the executive chef, I mean the guy who actually ran the restaurant on a day-to-day basis). Therefore, I know Jose Andres intimately, even if he doesn’t know me…. and all of his secrets are safe. ๐
We used to laugh together about the things that happened around us that we were helpless to stop. Neither one of us in all of our cosmic culinary power could get people to stop putting knives in the dishwasher or in the bottom of the sink. More than once did we look at each other and say, “I can’t.” We honestly didn’t spend that much time together, it’s that our relationship was like all brothers in arms. We had an emotional shorthand not there for others in the house. If you are not a person with ADHD/Autism when you start a kitchen job, you will gain the ability to see the kitchen that way. Everything in cooking is a sensory issue, and you’re learning to fine-tune it. The tiniest changes will cause absolute anarchy.
For me, a big one is soap. They’re all concentrated differently, and it seems there is a large leap from generic to brand. It also affects the kitchen to change the smell of the dish soap, because you get used to how those fragrances mix with spice. For instance, going from a floral scent to a lemon scent gave me gastrointestinal issues because the lemon mixed with the scent of eggs and ruined Hollandaise sauce for me because every time I think of it one of the flavor notes is surfactant.
Soap is a trigger for a much bigger sensory issue overall. Most autistic people who have sensory issues with smell are because it’s turned up to “pregnant woman.” I throw up more due to bad smells than anything else, and why when I live alone and have a cat, I have disposable litter boxes and change them out often rather than ever force myself to change it. I was lucky in that Dana didn’t mind and had permanent boxes at her house, but I wasn’t counting on her to care for Asher. I had my own system, I just didn’t have to use it. I wasn’t allergic to chores. I traded that one out.
Being married is really the last time I had any holiday traditions, because when I moved to DC, I was folded into an established family here, Lebanese heritage and not Irish. For Thanksgiving and Christmas we have turkey and dolmades. Stuffing and kibbi (Kibbi is actually one of our dog’s names, too- “meatball,” basically, in Arabic). It’s a wonderful life. Hayat and I have talked often about the fact that “I’ve picked up Arabic,” because when I first moved in, Hayat spoke Arabic and Nasim spoke Farsi. I asked both of them if it would bother them for me to listen in on their phone calls, because I didn’t want it to feel creepy and I knew they wouldn’t really, either since I don’t understand either language. I just wanted to take away the feeling that I was trying not to watch them by making it obvious that I was.
Listening to Nasim was hearing the end of “Argo” all day long. Learning the Levantine dialect of Arabic was learning the rolling lilt of the ocean and not the Middle East RP equivalent, Cairo (I checked). Some words in Egypt and Lebanon are different, some words are the same because Lebanon has had a bigger influx of Mediterranean immigrants. In fact, my cover photo on Facebook is a picture Hayat took of the marina in Beirut, now a city on my bucket list if it ever calms down enough for me to go. I would feel comfortable with Daniel or Zac in that situation, but I would not feel comfortable traveling without someone who could defend both of us. That whole idea started the romance with Daniel, because I initially wanted a travel companion and then I realized I wanted him. I don’t know whether Zac and I will ever travel together or not, but what I do know is that he may have not been in the same situations as Daniel, but not because he didn’t train for them.
But Zac and I haven’t started our own traditions yet because we haven’t spent a Christmas together. Since he celebrates Yuletide and not Christmas proper, it doesn’t matter whether I see him on the 25th or not. What I do know is that we as people are a spectrum. Maybe we’ll go for Chinese, maybe we’ll finally watch “The Pigeon Tunnel,” the Apple TV+ documentary based on interviews and John le Carrรฉ’s last book. I would have jumped on it the moment I saw it if I wasn’t so insistent about not cheating on him. Infidelity is one thing. This is couple TV. THERE ARE RULES. There are shows I still haven’t finished because I promised Dana I’d wait. It’s getting a bit ridiculous. Still can’t do it.
I have been asked to make a Christmas list and so far the only thing on it is a long-sleeved SAS t-shirt. I’d also like a Senators baseball cap because of the Duke Ellington concert in the spring, because even if I didn’t wear it, oh my God would it ever look good with Jason’s signature on the side. For my international readers, the Senators are the current hockey team in Ottawa, but the baseball team in DC was called the Senators when we first joined the league. Duke Ellington started selling peanuts when he was like, 11?
When Jason told me that he was going to do a Duke Ellington concert in The District, I told him that he was a brave, brave man. He laughed because he knew exactly what I meant. If you come for Ellington in his hometown crowd, you best not miss. Here’s what I know that you don’t. Jason is objectively better at piano than Ellington ever was. He can take Elllington’s ideas to a place that the composer himself couldn’t- another brain seeing different patterns. Ask me how I know that? He’s been doing it since he was 17 (probably younger, but I’ve known him since then), the Mozart of jazz, too many notes that boggle the mind.
I do not say this lightly. It probably sounds like I’m just part of the Houston jazz scene and trying to promote my boy. No. Jason is different. Jason goes to places I don’t like and I don’t know why and then I fall on my ass when I figure out the chord structure. It’s not that I didn’t like Jason, it’s that my mind wasn’t big enough to hold Jason yet. I had to grow into him. He’s an artist that is perfectly capable of giving you a beautiful haircut that you don’t like until you realize you were wrong. You thought it was a mess, and it makes your whole face.
The last time I saw Jason, I left the Kennedy Center and walked around for two hours trying to deconstruct that concert in my mind. Every time I came to a new metro stop, I decided I wasn’t done thinking about jazz yet. If you’ve never been to see Jason, I do not believe you have a grasp of modern jazz and where it’s going. I hope the concert is not too esoteric for Zac, but I don’t think it will be. I just think the difference is that when he looks at Jason, he sees the finished product. I see every iteration. Tall, skinny, quiet, softspoken when he does, can’t get used to the fact that he doesn’t wear a stocking cap every day. Can’t believe he and John Schutza aren’t a thing at lunch anymore.
Zac is going to become a bridge from my old life to my new one, and I think that’s a beautiful thing. I know Jason wouldn’t necessarily look for me at the concert, but what I do know is that he would be disappointed if I came to the concert and didn’t say anything. If I had my life to do over, I would have loved to be as serious a jazz musician as Jason. But, on the other hand, I did not have the ability of Konrad Johnson to “see where they were going and go with them.” I did not have Jason’s ability to see the rules of composition in such a way that he plays as if they aren’t there. No open fourths? Here’s seven in a row. Deal. Not a real example, but on brand.
Jason, like I am, is an unapologetic artist trying to get the audience to come to him, and he’s so good at his craft that he deserves to be a leader.
If there’s anything in my family that starts with me, it’s a love of music- the only special interest I had before intelligence because the first time I ever sang in front of an audience (congregation), I was three. Never in my lifetime did I think I’d get involved with it enough to understand what an open fourth might be, but here we are.
I know that when we talk about dishes, we’re often talking about the things put on the table. To me, sharing music with someone is every bit as important as a Christmas or Thanksgiving table. It’s where my mind goes now that I don’t have to cook for either holiday.
I also talk about music not to talk about what is going to be missing.
Also, here is a meme to express my feelings, one of my love languages:
The thing that is making me angry right now is that I cannot find a way to do an ordered list, and the way the instructions are worded, the software won’t do what it says it will, either. No, you cannot just type a one and a period and the list will automatically begin. So, I don’t know if there are going to be 30 or not. Decide it’s 30 when you get bored.
Disco and Rosie are the dogs I cared for all last week. They’re both adorable and hilarious. Both of them have elongated toes, and once I massaged their feet, I was not allowed to slow down or stop. Paw massages were very popular with Rosie when Disco would let me give her attention. Paw massages were very popular with Disco as long as I gave Rosie no direct eye contact. Learning their quirks made me very, very happy.
Bluetooth coffeemakers make me happy, and I didn’t know that until I got to use one while housesitting. Very cool to make your order from the app upstairs and come down into a professional coffeehouse. The only drawback is that it makes one mug at a time. I can just picture my partner and me racing to wake up five seconds before the other one to ensure our order is made first. The interface was like Starbucks Mobile. It didn’t add milk, but you could choose coffee/espresso/Americano and how bold.
Jason Moran makes me happy. The last time I saw him, he told me he was planning on doing a Duke Ellington concert in DC. I told him he was a brave, brave man. Then, Saturday I got a brochure in the mail announcing that the time has come and the concert is this season. I believe it will be a hit because Jason will do the homework. No one leaves a Jason Moran concert sad they didn’t see someone else. The last concert I attended was the 25th Anniversary of Black Stars. Sam Rivers had passed, and it was still one of the most moving things I’ve experienced at the KenCen.
Robert Glasper makes me happy, because he does concerts here that also blow my mind……. and at the same time, we’re both the geeky jazz kids who stood behind Jason Moran just to watch. A kinship was born in our teen years from sitting together in history and also watching a master at his craft. Jason could do something as a high school student that most professionals can’t. He could speak with authority. If Jason said something about jazz, it was true. Period. It wasn’t because he projected that…. it’s that we could all see that he was a subject matter expert and we were kids with instruments. His virtuoso didn’t start with being on the cover of Jazziz and Downbeat. It started with walking the halls of HSPVA with not a single moment unaccounted for in terms of bettering his jazz education. When he wasn’t playing, he was listening. When he wasn’t listening, he was teaching us how much we could learn if we listened. If he runs across this, he has my undying devotion for introducing me to Oscar Peterson, and realizing I needed to listen to Miles with different ears. So, seeing Robert is a reminder that we both aspired to do great things by watching someone who already had things handled.
The marvelous thing that has come out of ending the Internet relationship is that I’m not spending energy crafting pages for her. I’m spending energy crafting pages for you. It’s not that hers were more or less intense, it’s that now my energy feels so much higher because all the information is going in the right direction. If I could be a great writer in a sandbox, I could be a great writer on the world wide web. The difference is how much to personalize something. With blog entries, I’m always looking for the thing I’ll want to remember about someone 20 years later. Everything matters, good and bad. I own everything that has happened to me. Blogging feels much more like an episode of one of those podcasts where you have to read your journal. It makes me happy to know I’ll always have a time capsule.
It makes me happy that those things I’ll want to remember often jog people’s memories and take them to where they need to go. I hope it matters that you can clearly see how much people mean to me even when they aren’t acting all that lovable. That I do remember the little things, and I write them all down. I heal myself by not forgetting the moments I loved you so that I have a place to go when I feel weak. My writing makes me fall in love with you when I think I can’t. I am a better partner and friend because of my web site, not in spite of it.
It makes me happy not to hold myself above like a sky god watching ants. I am a deeply flawed, scarred individual and I take myself to the mat as often as I can so that my wounds don’t become infected. It makes me happier that Zac and Bryn understand this.
It makes me happy that I was able to create boundaries with them on what I could write and what I couldn’t, but that wasn’t just it. They respected me enough to see why writing was important to making me a better person. I thought it was really sweet when Zac said that he should be a bigger fan. It was in no way true that he should be, it pleased me that he said it.
Washington makes me happy, has always made me happy. I came here the first time when I was eight. That awe and wonder is still present. I cannot land at DCA after sunset without crying when I see the monuments. It has stopped happening during the day. That’s just exciting.
Taking off at DCA is a trip in and of itself. That’s the happiest I’ve been as a speed junkie. The incline at takeoff to avoid federal airspace is the most expensive roller coaster ride on record.
Cooking makes me happy, as does gardening as I watch more and more DIY. I wouldn’t want to get into gardening for a living, like selling produce or plants, but I would like enough yield to feed myself. I get the whole commune thing now. I don’t know that I’d want to do it, but I get it. See “gardening for one” for details.
Food makes me happy. It would be a blessing every day to pick out my own chilis, for instance. I could wait to pick them until they were truly ready, caramelized just by age before I take out the seeds and roast them, making sugar dance on hell’s tongue.
Shaving makes me happy. It’s one of the few rituals I remember to do on a semi-consistent basis. I’m into it. I have the soap and the brush, and I watch YouTube videos. It’s surprising how many tips for getting a great shave on your face also help you get your legs that smooth, too. I had to study up because I don’t have a bathtub anymore. It’s just a shower. Shaving is not the same when you can’t soak in the tub for 10 minutes before you start cutting.
Walking makes me happy because it means I can eat what I want. I don’t have to worry if I want three slices of pizza for breakfast because after three miles, it won’t feel like enough. But that’s only when I’m not appetite suppressed. The rest of the time, I’ll have three pieces of pizza for breakfast and not eat the rest of the day.
Speaking of which, I do need to eat breakfast. I’m sure there are 30 ideas here, even if I couldn’t find the ordered list button.
When is the last time you took a risk? How did it work out?
I take risks all day long. Up until now, Iโve been in relationships with women. Iโm genderqueer on the outside, genderfluid on the inside. Stepping out my front door is an act of courage, and not cowing to the demands of what society puts on women is another. I do not owe it to the world to put on makeup.
It might not make me look like a drag queen, but I certainly feel like it sometimes. Iโm just not used to it anymore. It doesnโt feel natural like it used to. It feels like paint. So, Iโll still wear some (occasionally), but only mascara, eyeliner, and a bit of lip gloss. Jeremy Renner was a makeup artist before he was on camera, and he said something that made sense to me. All you need is to frame your face.
I have cut foundation out entirely, because thatโs where skin problems start. I had horrible systemic acne as a teen, and fixed it with Accutane. Since then, Iโve just taken care of my skin. I donโt really have to do much- soap and water is just fine, as long as itโs not the cheapest soap you can find. Right now, Iโm using African black soap, which clears up acne naturallyโฆ. And yet, Dove works fine, too. All Iโm saying is that I chose to clear up the problem with pills rather than a multitude of creams that probably wouldnโt have worked, anyway.
After a time, it became impossible to control my acne with just topical applications, and it was a risk taking Accutane at all. There were horrible side effects- bone pain in my back and legs, dry skin (which wasnโt that bad until it was my lips), and my emotions were all over the place. I wasnโt on any psych meds at the time, but it wasnโt unrelated, either. One of the primary warnings is suicidal ideationโฆ.. probably because it makes you feel so bad that if youโve been on it, you know that some days death would have been a welcome relief rather than trying to stand up fifteen minutes in a row.
In the end, it was worth it and I would do it again. But while youโre going through it, thereโs really no end in sight. It takes six months, at least, and if itโs bad enough, you have to do it twice. Youโre basically trying to kill all the oil glands in your face. It works, but it is a bitch and a half.
It was most embarrassing having to say to people so often, โno, I am not pregnant. I am not planning on becoming pregnant.โ No one was being mean to me, the effects on the baby would have been that severe. But of course, it tapped into my worthless feelings because I knew Iโd never have a baby. Thatโs crazy talk. Keep in mind, I was like 19. I finally just started saying I was a lesbian, and it stopped coldโฆ. And then lesbians just HAD to have kids and make it normalโฆ.. God, you guys. ๐
I was completely obsessed with myself, but not in terms of vanity. I hurt all over, from constant headaches to backaches to period cramps being ten times as bad. That kind of constant pain wears on you, and I was waiting tables at the time. Just pain on top of pain.
When I think of that time in my life, the pain resurfaces, but itโs filtered through the fact that I only had to endure it for a short whileโฆ. Maybe a year. But I know chemo patients who have had it less rough than that.
Now, I have really good skin, but other problems with my health that need addressingโฆ. And that is a risk, too, just because I donโt like going to the doctor. I think I know everything. But as Iโve said before, being the best doctor youโve got isnโt a ringing endorsement.
And the truth is that I hate going to the doctor because no one knows me in Maryland. Outside my little Texas bubble, I donโt have any connection to a medical family and doctors get pedantic with me right awayโฆ. Even when I say things like โI have Aleve at home and itโs not working. Could I try Celebrex?โ Then the doctor will say something like how I donโt need anything that strong and Iโll say โI donโt need a stronger dose of anything. I need both the Cox-1 and Cox-2 inhibitorsโ and all of the sudden a light dawns AND I CAN SEE IT HAPPENING. โOh, she wasnโt kidding when she said she came from a medical family. Maybe she does know something.โ
I am not here to give medical advice to anyone. I know my own bodyโฆ and I am perfectly fine with OTC pain meds 90% of the time. If I was asking for Tylenol #3 or Vicoprofen, I could understand a doctorโs hesitation. No one is trying to scam you for narcotics, dude. I have enough issues. I donโt want addiction to be one of them.
Plus, Iโm an introvert, and I donโt like dealing with people. It is a necessary evil. So, if I am not in any danger and I already know whatโs going on, I can treat myself within limits. I donโt need to go to the doctor for bad allergies or a cold. I donโt need to go to the ER because dollars to donuts my pain wonโt be taken seriously and Iโll be given a prescription for 600mg ibuprofen when I CAN COUNT, thanks (regular is 200mg). The one thing I wonโt do is argue, because I donโt want to be accused of drug seeking behavior. That means even when youโre *really* bad off, no one will pay attention to you. Itโs The Boy Who Cried Wolfโฆ. Even when itโs not.
Itโs a risk to see a doctor because youโre working off a thousand assumptions that have nothing to do with you. The doctor is running heuristics on my pain as easily as I do with emotional situations. However, I have never had a doctor be compassionate enough to see that I needed more than over the counter medications and Iโm not dumb enough to insist thatโs what they should do. I grit my teeth a lot.
In fact, the one doctor who did think I was in that much pain didnโt go to medical school in the United States, and therefore, could hold my hand and do little else. I had a housemate from Nigeria, Franklin, and one night I was cooking for us. I managed to slice into my finger while cutting a raw sweet potato, and the knife came down on my finger with forceโฆ. To the point I was scared to cook for a while. Franklin said later that he should have taken me to the ER because I needed stitches. I told him he was right, but that I had enough experience in a professional kitchen that it wasnโt an emergency. It was Tuesday.
It took forever for the finger to heal, but luckily, no nerve damage. The only nerve damage is from before I was a cook. I was 16 and still living in the parsonage when I sliced my thumb while cutting a lime for my Diet Coke (yes, I was 100% That Bitch). Iโm 45, and thereโs still a dead spot on the palm side.
Learning to cook professionally was a risk because I knew I wouldnโt be spectacular at it, Iโd just have a ton of fun. And I did. Even when I was injured, it was fineโฆ. Most of the time. I wonโt lie and say I was always Mamaโs brave little soldier, but in that kind of pressure cooker, losing your shit has to be in very small increments. Thereโs no time for anything else.
The job that came with the best perks was working in a restaurant at the Portland airport, because I had a badge that let me walk directly onto the tarmac. It was refreshing to go and take a break and watch the planes, which you can do in an airport restaurant because you can look at the loads for the day and tell when the pops are going to be.
Itโs also a big risk to take a kitchen job, because thereโs always a definite start time. Good luck finding the end.
I had a love-hate relationship being the last one out, because the last one out is the first to get blamed in the morning. Part of it was petty day crew/night crew bullshit. Part of it is that Iโm physically weak and forget a lot. So whose fault it actually was in each instance isnโt important. Whatโs important is that it was relentless. I couldnโt win either way. So, whether you believe I am the best cook or the worst, it still sucked to walk in to a laundry list of my failuresโฆ. Particularly when another cook told management that I was the one who left something out, and he did. I took the fall for his raw chicken sins.
Being a writer is a risk. People think I flippantly post things, and I sweat blood. I had to get into the habit of hitting post as soon as I was done with an entry, because to wait was to let imposter syndrome set in. Nothing would ever be good enoughโฆ. And it still isnโt, but you people are too kind.
I would like to take a risk and go sit with the bees, but I canโt today. They donโt like rain, and today it is big, fat drops. Iโm not sure I would love it out there, either. But Magda has grown lavender in the side yard or at least a year, and the bees love it more than life itself. I just wanted to clear it up that we do not have a hive. I have not had an audience with my queen. I just know all her loyal subjects, who listen to me as if they have nothing else to do because theyโre better at multitasking than I am.
If I wear my blue hoodie, I am more attractive to them. I canโt decide whether I like that or not. Theyโre never aggressive, not ever. I just have to decide how comfortable I am with bees on meโฆ because if I make a bad move and it is misinterpreted, there is no โUndoโ feature.
Iโm just glad that we have a safe space for bees in our yard, because I feel emotionally connected to them in more ways than one. Claire talks to her bees in โOutlander,โ which makes me feel like less of a crazy person for doing the same. And Iโm a cook. The plight of the bees is mine as well. Incidentally, my favorite version of โFlight of the Bumblebeeโ is twofold. The first was hearing Wynton Marsalis on a recording. The second was hearing Clark Terry do it live in a master class.
Speaking of which, I love meeting famous people. Itโs always a risk, but it pays off. I come away with an interesting story, some of them interesting enough where the famous person will remember me, some not so much.
I could tell that I tickled the hell out of Wynton Marsalis when I told him Iโd been waiting my whole life to meet himโฆ. Just stifling his laughter at how long that must have been in all of my 15 years.
Itโs kind of fun being able to say that I met so many people at HSPVA before they were famous, because the part of them thatโs not famous is what I like best.
One of my favorite random conversations happened at the pub where I worked before the pandemic. I sat down at the bar for an ice water and a shift drink, and asked the guy next to me what he did. He said, โIโm a sound engineer for NPR.โ He said, โwhat do you do?โ I said, โI sling hash for a living.โ The fucking bartender said, โI thought you worked here. You didnโt tell me you were a drug dealer.โ The NPR sound engineer laughed until he cried.
I couldnโt even breathe I was laughing so hard, because this bartender was young enough to be my son. โSlinging hashโ had a different meaning in his world.
Moving to DC was a big risk, but it paid off because I get to have these conversations all the time. I am permanently stuck at the smart kidsโ table, right where I need to be just to soak up informationโฆ. And not filling my ears with hot air. So much more interesting to talk to people who make the news than watching it at night or listening on the radio.
Also, not going to lieโฆ. Pretty great standing in front of a gaggle of groupies and talking to Robert Glasper when he says, โSHIT! You from the cribโฆโ Grabbed me and hugged me like Mr. Hattoxโs history class was yesterday and not 30 years ago. We didnโt take a selfie that time, but I think I got one on the next tour. By the time I got to talk to Robert after the first time I saw him, we were both exhausted and I didnโt think either of us would look good, anyway.โฆ nothing to put on the refrigerator, anyway. I prefer it. I didnโt capture the look on Robertโs face when he saw a high school friend. That look was just for me.
I think Iโve said this before, but I knew Jason Moran back in the day better than I knew Robert Glasper, but yet still a risk to go and talk to him because I wasnโt sure if heโd remember me or not. He absolutely did, and I felt silly for wondering. I told him that Iโd written to one of his albums, Ten, for a year. He turned around to the whole band and said, โhey guysโฆ she wrote to Ten for a year.โ I was so honored, because it meant something to him that his music fueled me, and meant something to me that he thought it was important enough to tell the band.
One of the big risks I took in high school was attending Summer Jazz Workshop, where I got integrated into the Houston jazz scene. My one claim to fame is that I was the trumpet soloist when my band was on a local television show called โBlack Voices.โ It was hilarious because the โBlack Voicesโ logo appeared, and then my big white face with even bigger glasses.
Donโt get me wrong. I wasnโt a prodigy at trumpet or anything else. I just decided to take a risk, because getting to be in the band at all was the point. I remember Doc Morgan, my jazz director at HSPVA, saying that he was going to miss me getting to do the traditional โsenior tune,โ where every graduating member of the band gets their own solo. I told him not to worry, that heโd featured me so much as a ninth grader that I felt like I already had mineโฆ and it was true. I remember one solo that went extraordinarily well, and he said, โLeslie Lanaganโฆ Ninth grade, ladies and gentlemenโฆ NINTH GRADE.โ
I peaked too soon, but it was worth it. I got the experience of a lifetime before being thrown to the wolves in marching band. That was its own special kind of riskโฆ. But at least I only fell in rehearsal once. That is because I was marching backwards and either I ran into a bass drummer or he ran into meโฆ. Unclear.
It was physical and alien, made torturous by the Texas heat. I do not regret the risk of staying in, of feeling embarrassed until I didnโt, allowing myself to suck at something until I didnโt. Being in the marching band was required to stay in the symphonic band, and came with a free trip to San Antonio, where we were presented The Sudler Flag, honoring the best of Texas music educationโฆ. And since my mom was a music teacher, she was already at the (Texas Music Educators Association, or TMEA) convention and got to hear me.
The last huge risk (huge) was preaching at Bridgeport, and I didnโt even do that until I was asked. No one really knew me, didnโt know where Iโd come from, and didnโt expect anything. Sometimes, I was on fire (according to me) and sometimes I sucked (also according to me). But the thrill was becoming experienced at something Iโd only watched from a distanceโฆ. And as it turns out, Iโm like every preacher in the world. The sermon you think sucks is what everyone remembers, and the sermon you thought was gold is straight trash.
So thatโs how I view this web site, too. Itโs a risk, but I know that the very worst entry I write, someone will absolutely adore. Something I like will languish, because people donโt think the way I do, and thank God for that. Otherwise, I would be preaching to an echo chamber.
How have you adapted to the changes brought on by the Covid-19 pandemic?
I never needed to do anything for the pandemic. Iโm an introvert homebody by nature. I also didnโt like wearing masks, so staying home was more comfortable, anyway. Everyone in my family has had it but me, and I still donโt have the last booster because it was too much energy to schedule when my risk factor was so damn low. I have the first three, though, and they did come in handy when my friend Robert Glasper (sat behind me in history in high school) came to DC and played โThe Reachโ (an addition to the Kennedy Center that focuses on hip-hop). Itโs so fabulous. If I were to plan the perfect date, Iโd want to go see Robert. Romantic, platonic, whatever. Itโs a great place to sit outside and have a drink before or after the show, because the garden patio is just as much fun as looking at the art indoors. My last trip was incredible because it was one of my favorite artists on my actual birthday.
I also really, really like seeing Robert alone so that no one talks to me and I can just take pictures of him and the band. Last time he was on tour with Yasiin Bey. It was funny, I told Robert to tell him he was my favorite alien (he played Ford Prefect in Hitchhikerโs Guide to the Galaxy), then walked away and thought, โIโm a frigginโ Doctor Who fan. Iโm an idiot.โ The only person that he plays with that Iโm desperate to see is Jason Moran, because I was actually closer to Jason than Robert. I get to see Jason more because he actually works here (still lives in NYC, but is also jazz director at the KenCen). Iโve just never seen both my guys outside of the High School for Performing and Visual Arts bubble.
I would even get the last booster for that one.
Seeing Robert was definitely the highlight interruption in my otherwise quiet existence, because Iโd rather play with my characters or talk to all yโall than do much else. If you knew the main characters I was working with, youโd spend time with them, too, and there are only five people on earth who know the answer to that question. If any one of them talks, it will do an enormous amount of damage. This is it. This is my magnum opus, and I canโt think of anyone who would figure it out faster than my chef of an ex-wife. Iโve left breadcrumbs all through this frigginโ web site in hopes that she gets the hint. She just looms so large in my memory that if I succeed here, Iโll be able to trace it all the way back to โhi, Iโm Dana.โ
God, donโt you wish you knew which breadcrumbs were only for her? I bet you do. Maybe in 20 years, because I swear to Christ if the idea is executed properly, itโs worth millions. I can take that check to the bank and cash it, because three of the five are subject matter experts. Dana could guess all three with only three guesses given if she picks up what Iโm putting down.
Iโve already put it in writing to The Five that if I get rich, so do they. So does Dana. So does pretty much everyone I ever knew because thereโs no such thing as a self-made millionaire, even if it was just sacrificing giving gifts to your friends even when you really, really want to because theyโve been so kind to you.
For instance, one of the huge gifts that Zac has given me is his time. Weโve been dating casually for months (I only see him every few weeks and thatโs fine with me because again, characters.), and his gift is not only his time, but his house as well. If I need a different office once in a while because Iโm going stir crazy, heโll leave for his office and โleave me in mine.โ Iโm not sure he sees it as a gift, but itโs more precious than gold. I think the one true thing Iโve said about this novel over and over is โitโs got spies in it.โ
Zac is an SME because he works in a smaller agency than CIA, but collects raw data from all the intelligence bureaus we have. Heโs not a spy, but spy adjacent (I thinkโฆโฆโฆ.. you never frigginโ know in this town). That way, he can at least teach me unclassified jargon, because if he doesnโt know it, he can at least point me in the right direction. Neither one of my characters *start* as intelligence officers or assets/agents. Iโm borrowing structure from Steve Martinโs Picasso at the Lapin Agile, an alternate history in which Picasso and Einstein meet at the Lapin Agile, a cafe in Paris. The book is their conversation.
It opens up all kinds of possibilities for me as a writer, because my story actually does start in Paris. As Iโve been telling Daniel, Iโll go with you everywhere, itโs just that the only places I have to live for a while are Paris and Ho Chi Minh City. The majority of the story takes place in Viet Nam, so I want to go there first on a 90 day visa. Iโve found a range of apartments, and there are huge ones in the middle of the city for $4-600/mo. I could get by on a studio for $200, but itโs better for me to have a separate office. If Iโm going to have a work in progress thatโs worth this much, I want a frigginโ door that locks when people come over. If you think Iโm being paranoid, ideas are my currency. Iโm the product. If this isnโt the right idea for me, itโs the right idea for someone, and Joe Hack is not going to decide to take a stab at it.
Iโd sell it to โThe Danielsโ rather than keep it on my home computer if it was unsecured (speaking of which, theyโre one of the few directors Iโd even attempt to trust). Yes, I know that Daniel and Daniel are separate people, but if I can live with being โthe girlsโ for almost a decade, they can roll with it or donโt).
Now do you see why the pandemic didnโt affect me at all? Iโve just rambled on for like 15 minutes and not even looked up.
And for my Ted Lasso fans, I didnโt even know I wanted Trent Crimm, Independent to be a Diamond Dog until he wasnโt. And yes, Iโm just as much of a train wreck as Ted, and Iโm proud of him because heโs doing the work.
We kept each other company during the pandemic, Ted doing work at his house and me doing work in mine.
I just told my work in progress idea to the most perfect person I could have imagined, because he was a teacher at HSPVA. When you know people that are HSPVA quality students, when they come at you with a creative idea, they don’t say “where’s the money?” Matt Mullenweg created WordPress. Justin Simien created “Dear White People.” Mireille Enos starred in “The Killing,” and has had roles in “Good Omens” and “Big Love.” She won a friggin’ TONY for an Edward Albee where she played drunk. She won a friggin’ TONY and SHE GREW UP MORMON. Today I stood up an owned my birthright. This book is going to be fantastic. Anyone who tells you otherwise is selling something. I auditioned to the same school they did and I got in. Sit on that.
This was my Facebook post yesterday that got me going.
I feel like I should lay out a full analysis of what I’m currently dealing with and why…. not for you. For me. It’s my thing and you’re invited, because I’ll need it later. I’ve been delving into past writing to figure out where I’m going, and how the information about my gargantuan leaps in emotional growth that I see on these pages is informing my direction.
Romance is fine. I’m settled in myself. You can read all about it just by scrolling the home page for a few days’ timestamps. Sam was a loss, but everything else surrounding her departure prospered me. It wasn’t a good relationship, but it produced good content. I am never trying to be more popular and writing in that direction. I can’t. People aren’t logical enough to predict what’s going to be hot and what’s not. They’re emotional. If something grabs them, they’re going to share it. If it doesn’t, they won’t. There is no point in time at which I want to take on the burden of caring whether this web site gets a huge, international audience.
If I don’t keep my head down and be absolutely indolent about my need for validation, I won’t get successful. There is a direct line between caring how much people think and willing to be vulnerable enough to get people to read a blog in the first place. Most of my friends do not understand this, but strangers do. If you’re already here, I can guess some things about you that will resonate. But again, I’m just talking about likelihood, not fact.
If you’re into reading blogs, you have been since 2003. You are familiar with Mrs. Kennedy, Anil Dash, Heather Armstrong (and Jon by proxy), Jenny Lawson, Nadia Bolz-Weber, Gordon Atkinson, and most importantly, Ernie Hsuing. little. yellow. different. took off like a rocket. Oh, and how could I forget Wil Wheaton? My friend Chason and I have known about and interacted with Wil as a blogger since Jesus had our pager numbers. I wish I had taken a screenshot of his comment on Clever Title Goes Here, my old blog that was equally popular. I was talking about auditions or juries when singing, that they fill me up because when I’m singing hard rep and doing well, it feels like flying over the mountains. He said he felt the exact same way with acting. It made my day.
Later on, we met up at a book signing for “Just a Geek.” I introduced myself and when he put a name to a face, this is what he wrote in my book…… “Dear Leslie, Clever Inscription Goes Here. Love, Wil.”
To back up in time a little bit, I went to the High School for Performing and Visual Arts. I have known about Matt Mullenweg for years because back in the day, we were both in the Houston jazz community. That boy who went to my high school created WordPress, and here we are.
I went to high school with stars like Jason Moran, Robert Glasper, Chandra Evans, Debbie Allen, Mireille Enos, Justin Furstenfeld, and Beyonce was three years behind me. I’ve met her once, but I’ve never paid attention to her because back then, we were in high school. Seniors don’t normally take freshmen seriously, and the day I met her I had ditched school at Clements to take my girlfriend, Meagan, back to PVA to have lunch. There was a Happening (lunchtime concerts in which different Art Areas took over the common area to showcase).
So, we were all in the cafeteria and mingling. You think it was cool in retrospect for me? I haven’t talked to Meag in years. Wait until she reads this web site and finds out she met Beyonce and didn’t even know it.
Though Beyonce is cool and everything, I was in love with Miranda Bailey the moment I found out everyone called her “The Nazi.” Then Shonda Rimes gutted me emotionally by stretching the Hippocratic Oath to its limits and having to watch her wrestle with those decisions. She had to save a white supremacist, an ACTUAL Nazi.
The fact that Chandra Evans and I went to the same high school is way more important to me than Beyonce, and remember since Beyonce wasn’t Beyonce back then, she probably feels the same way about Chandra that I do. In terms of HSPVA legends, she’s always going to be starstruck at her birthright rather than promoting herself…. she’s just projecting that she’s hot shit as a marketing strategy, because the real girl is as quiet as me.
Starstruck at her birthright.
Yesterday, I stepped outside The Matrix and owned it. I nearly blacked out when I thought about the fact that I auditioned for the same school they did.
AND I GOT IN, TOO.
I am editing this entry to add something important. Here’s what HSPVA did to inspire this level of confidence. I listen to the Argo soundtrack on repeat every single day when I write so that I can tell you where every single note goes, along with chord structures because I took music theory. That music teacher was an anti-vaxxer and I lost someone crucial to my development to COVID. I got the idea to start doing that from another HSPVA student, the creator of WordPress, Matt Mullenweg, during his interview with Tim Ferris. He was a tenor sax player and had the same jazz director I did. I borrow structure from Jason Moran, the jazz pianist, all the time, because I wrote to “Ten” for a year. He was stunned and told his entire band that in front of me when we were laughing and joking after one of his concerts at The Kennedy Center. He had the same jazz director I did. Robert Glasper nearly came unglued the last time I saw him at The Reach, because back in the day he was just the goofy dude who sat behind me in history. He had the same jazz director as I did. I am addicted to “The Suffers.” Jon Durbin sat next to me in Jazz Band for two years. Moral of the story? Dr. Robert Morgan is directly responsible for making me a drooling fangirl over all of them, and he owes me money because it’s getting expensive.
I got into The High School for Performing and Visual Arts in 1992 as a trumpet player. I sort of made a mistake in choosing four academic classes and three performing groups. I was in the wind ensemble, the symphony, and Jazz II, the preparatory band for the one that won all the awards. I got my chance to audition for Jazz I, and I blew it. In hindsight, I could have won had I not been exhausted, because my embouchure was never right. I could only play for about an hour before my face started sliding down into my neck…. and because I was in three performing groups, I never had the time to back off and correct it. Plus, the audition was after school, where I’d already played for three hours.
When I was good, though, I was on fire. I wouldn’t have gotten into a performing arts magnet if I wasn’t. An audition is one slice in time, and it determines the big picture- the entire school year, possibly the entire time at said school altogether.
I am comforted by the fact that professional musicians don’t have it any easier. It’s just as common to blow a huge audition as it is a small one. The thing that made me the most angry is not that I didn’t win. It’s who did… a girl who straight up bullied me from the first day to the last. For some reason, she didn’t have a horn at one point, and my dad thought he could make it better by lending her his. It did not work. For some inane reason, a group of kids in my English class called themselves a family, and said bully said I was the dog. She barked at me every day, and this is just one example out of many.
I have a really, really long fuse… but after a year and a half of this, I backed this girl up to the balcony on the second floor and grabbed her. I wasn’t strong enough to throw her over, but she didn’t know that. I said, “this is going to stop. Right now. My family has been kind to you and every day, you still treat me like shit. That IS OVER.” Unsurprisingly, it didn’t stop the bullying altogether, but it helped. At least when she wasn’t bullying me, she had the good sense to give me the silent treatment. In retrospect, I can think of several good reasons why she was my high school bully, but that isn’t my story to tell. I will only say she was fighting a battle I couldn’t see and didn’t feel the need. Her sob story would have provided context, but not an excuse for the way she behaved. I wasn’t interested.
I was also outed to the entire school and my parents simultaneously, thanks to my counselor “being concerned” and calling them. The entire school came first- someone posted a flyer with a picture of me saying I was a “dangerous lesbian” or some crap like that….. which led to one of the percussionists holding up Playboy centerfolds where only the trumpet section could see them. I don’t exactly remember how long this went on, but I learned early to stick to my guns. If you weren’t bothered, they got bored. It all came to a head when I was sitting out on the lawn, eating my lunch, and the evangelical Christians came outside (link is to a PDF), carrying their Bibles, and read me all the clobber passages they could find. (As an aside, “clobber passages” is code for all the verses that Biblical literalists take at face value and think that the Bible is condemning homosexuality, when in reality, they’ve missed the point entirely.) I ran to my counselor and told her what happened, and she said, “well, what did you do to provoke them?” With that group, all you had to do was exist.
During that time, though, I got to hear some of the greatest jazz minds in Houston, and have now graduated to the international stage. Times like these are what made it all worth it… stars such as Robert Glasper, Eric Harland, and Jason Moran. I am very lucky that I have gotten to see all of them in concert, two here in DC (Glasper & Moran). Robert Glasper played The Reach, and Jason Moran played a small theater inside the “KenCen.”
The Glasper concert was crazy in a good way. So many hip-hop fans, with lights, sound, and special guest Yasiin Bey. I managed to get an okay picture of them, because I was in the balcony and had to use optical zoom to get their faces. In case you are not familiar with either of them, Robert is at the piano and Yasiin is standing on the left.
After the concert, I wanted to joke with Yasiin that he was my favorite alien (because I for damn sure wasn’t going to tell the Ford Prefect he was my second favorite). By the time I made it to the crowds of people surrounding Robert, he was already gone. I did get to tell Robert that he’d sat behind me in history at HSPVA, and that was enough. It was literally the most fun I’d had in ages. Because I was a high school friend, I got more hugs than everyone else. ๐
Jason’s concert in a small venue was something I couldn’t say was fun as in raves. It was fun like the way spelunkers explore a cave. There were just levels upon levels of mind-blowing musical figures, something he’s been able to do since high school and has just upped his game more and more over time. I got to talk to Jason afterwards, but more on that later.
The concert shook me to my core. It was music I wouldn’t, couldn’t forget. It was centered around the 20th anniversary of “Black Stars,” with The Bandwagon and Sam Rivers. The intro was a documentary about the making of the album, and then they played it live. Sam Rivers is now dead, so they brought in another player that was so reminiscent of his sound that when I closed my eyes, he was right there.
I left the concert shell-shocked. The frenetic music was playing in my mind, and instead of going home, I walked down the steps from the Kennedy Center and out onto the path on Rock Creek Parkway. I meandered to the Lincoln Memorial, then just kept on going. It must have taken me three or four miles before I even considered finding a Metro station. The entire time, I was trying to think of a way to turn Jason’s music into words, and I still don’t have them. I suppose the best I can come up with is “you just had to be there.” I’m listening to the album right now, and nothing will ever be as transcendent as the live show (of course). The piano gave me a brain race that I don’t experience unless I am listening to jazz that’s hard to understand on the first pass. And by that, I do not mean that the music is inaccessible to non-jazz fans… only that I was analyzing it from top to bottom, trying to put together the theory behind it. Music theory has never been my strong point, but I made a barely-educated effort.
As for talking to Jason, as soon as I said my name, recognition hit him. He said, “how long has it been?” I told him that with the exception of Facebook, probably 20 years, maybe longer. I asked him about his family, and told him about writing to “Ten” for over a year. He honored me by turning around and telling his bandmates, “hey! She wrote to “Ten” for a year!” I asked him about his commute, because he lives in Manhattan and is also The Kennedy Center’s artistic director for jazz. He said it wasn’t bad, and I was so glad to hear it, because it meant more Moran concerts in my future. He told me that in the spring he was going to do a Duke Ellington series. I said, “you are a brave, brave man.” We both got tickled, and it was so much fun to share something that really made him laugh.
For the uninitiated, Duke Ellington grew up here. His first job was selling peanuts for the Washington Senators.
To announce an Ellington series for his home town crowd could only take someone of Jason’s caliber. The crowd would trust him to play Ellington well, and if I know Jason at all, I know there will be some of his own ideas- paying tribute to Ellington in the most sincere way possible, but jazz is meant to evolve over time. All jazz players influence each other, and the music moves forward…. but it’s not just jazz. Jason listens to and remembers all kinds of artists. I remember from an article a distinct Bjรถrk phase……….
My only wish is that I could have seen the big picture with my little freshman mind. I got to be “raised” by the best- master classes with Clark Terry and Wynton Marsalis, and literally the best jazz director most musicians will ever experience. Dr. Robert Morgan is internationally known for being the teacher of some of the greats.
My dad read my last blog post, about how I’d wanted a signed copy of Argo: How the CIA and Hollywood Pulled Off the Most Audacious Rescue in History from the International Spy Museum, and how disappointed I was that they were sold out, and how I’d searched the Internet for a copy and couldn’t find one, etc. Maybe everything IS bigger in Texas, because when he searched for a copy, he found one. It is on its way to my house right now. Because of the cover, I think it’s an early edition, and comes with a Certificate of Authenticity. For the record, though, it was not $20, and does not come with a coffee mug. I do not need theย Argo coffee mug. I know this because I saw it at the Spy Museum and it only holds eight ounces of coffee. So, while cool, utterly useless to me. The screenshot of the signed copy of the book and the words “deliver date” made me cry so hard that my dad couldn’t even understand me on the phone. Just unintelligible sobs of “it’s not even my birthday.” I was going to meet Lindsay for dinner, so I was crying as I got into my Uber and retold the story to the whole carpool, and then they were crying, too. The driver, a big teddy bear of a guy, wiped off a tear and said, “that’s just what daddies do.”
Then, we switched subjects. He said, “so, you’re going to the Metro station?” I nodded and he said, “then you’re going to my day job. I sell them the rail cars.” I got really excited telling him how much I loved the new ones with the better signage and the electronic voices that are loud and clear, rather than muffled and/or give no fucks. Then he puts his Metro access pass on the dash and drives me RIGHT UP to the entrance. I think he was showing off, and it worked. I was very impressed.
Lindsay and I grabbed some ceviche for dinner and frozen yogurt for desert. Then, we went back to her hotel and watched Shark Tank. I left around 9:30 and started walking toward the Dupont Circle Metro, realized I was goingย the wrong way pretty quickly, and proceeded not to care. I just walked. It was a tiny bit rainy- Portland spitting- and perfectly comfortable outside. The street lights shone and music spilled into the streets. I stopped for a drink at a bar with an AMAZING jazz band that I wanted to hear- the trumpet player being the main draw, of course, but the entire house was packed. I couldn’t find a seat anywhere, so I just left without buying anything…. although would have taken the trumpet and run if I could’ve- it was a Monette, unlacquered, with a sound as viscous as motor oil. Even on fast licks, one note oozed into the other, a brass Southern drawl. I don’t know the name of the band, or even where the club is. I was just out walking, and happened to pass it. It’s a true testament to a local band when there are no tickets being sold, it’s just a regular Wednesday, and the house is packed. I would have waited for a table if I thought there was a chance in hell that anyone was leaving.
Eventually, I made it to the U Street/African American War Memorial/Cardozo Metro on the Yellow Line, and made my way to Ft. Totten, where I transferred to Red. The train was delayed for quite a while pulling into the station, so I sat somewhere between Takoma Park and Silver Spring playing Solitaire on my phone. By the time we actually arrived, my bus had stopped for the evening, so I Ubered back home.
I walked upstairs to the sound of a movie in Arabic, obviously coming from Abdel’s room because he’s the only one on my side of the house that speaks it (the layout is that the homeowners have one side of the house and the renters have the other, with separate kitchens, bathrooms, etc.). Though Hayat speaks Arabic as well, I don’t know if Lebanon and Morocco have the same dialect. My friend Anthony says that if I’m going to learn Arabic, learn the Lebanese dialect first, not because it’s the easiest, but the most beautiful.
I believe him. Listening to Hayat on the phone is one of my favorite pastimes. She knows I’m not eavesdropping, I’m listening to the lilt of her voice. I felt the same way about Nasim, whose Persian phone calls reminded me of Tehran. Literally every time she started speaking,ย Cleared Iranian Airspace would start playing in my head. It was apt, as her own escape from Tehran is much worse than being rescued by Tony Mendez.
We’ve lost touch, but that is the book I was going to write before Nasim moved to New York, and unfortunately hasn’t been back since.
I just got the best news I’ve gotten all day. I was supposed to be back in the kitchen at 1300. My kitchen manager just called and said, “could we change it to 1500?” Umm, yes. Yes we can. I worked from 9:00 AM until 11:00 PM yesterday without a break as the dishwasher- don’t feel sorry for me. I got line cook pay for all of it. But *not* having to be back so soon is a hug from Jesus. I might actually have time to write something. Life is beautiful and I love everything and everyone right now. God, I love my job, but it’s been years since I worked a double and 40 is so different from 28.
I don’t mean to complain in the slightest, because I am so lucky to be doing the work I want to do. But at the same time, I am constantly in pain, as well as perpetually exhausted. I thought I was going to have the day off today, but I was called in rather last minute. I only get one day off this week, though the rest are short shifts (relatively- mostly 5:00p to midnight or 6:00p until 9:00, though I often have extra hours added on those nights because we’re too busy to get all the cleaning done that needs to keep our kitchen up to code. I mean, I keep my station clean as I go, but stations need to be broken down and deep cleaned before I can really be satisfied with leaving. And the kitchen manager would rather pay me to get those things done than have me walk out and leave everyone else to do it).
Although today I am really not sure how busy we will be. Memorial Day is a toss-up, because we have a huge outdoor beer garden, but it’s supposed to rain. Also, on Memorial Day, people tend to grill outside in their own backyards. I have a feeling that most of what I will be doing is prep for the rest of the week, as well as stepping up to the line during an inevitable pop.
I had such an internal satisfaction in being the dishwasher yesterday, because I was so diligent about keeping up with the dishes that it only took 44 minutes to close down the kitchen. That’s the thing I love most about working in the kitchen- it’s all about self-esteem for a job well done, and I don’t need any external validation that it went well. Kudos are amazing, but never necessary. Also, because salaries are higher in this area, I’m basically $0.50 away from making as much as I did in IT. Like I said, I’m sending out resumes to places I think are interesting, but it feels good to be in a place where I’m not desperate to get out of the kitchen because it doesn’t pay the bills.
I just hope that I don’t get called in on my day off tomorrow, because Pri Diddy and I made plans for brunch at one of my favorite places, Teaism. If I do, though, it won’t be until the afternoon, so I don’t think I’ll have to cancel. I purposefully get together with friends in the morning because I never know what my schedule will be like. It’s hard not to be able to respond to messages until late night/early morning, but so far, my friends don’t seem to mind. I just always hope that they can sleep through their phone dinging…..
But I also hope they notice that I am happy, and that’s the best part. I get a place where, again, internal satisfaction is high, and I can relax with a beer or a soda at the end of the night with people I genuinely like. Heads up that we have Mexican style cola on draft. It is so crazy good that it’s officially on my Chef’s Game last meal. I don’t drink it too often, though, because club soda is still my favorite.
It reminds me of being 14 and visiting jazz clubs when I was too young to drink, yet still wanted to look sophisticated. One of the things I’ve lost in my many moves that I regret to the ends of the earth is that in one of those visits, I brought my Arban book (the Holy Grail of trumpet educational exercises) and Dizzy Gillespie signed it. He said, “man… I haven’t seen one of these in years.” It was just one of the highlights of my short career as a jazz trumpet player, and by “career” I mean high school.
And on that “high note,” I think I’ll actually take a shower while I still have enough energy to get in. Hot water and soap sounds delicious because last night, I was so exhausted that I fell asleep in my clothes (double yuck). Believe me, I think you all want me to take a shower, because I’m betting you can smell me from there.
I was in the wind ensemble, the symphony, and Jazz II, the preparatory band for the one that won all the awards. I got my chance to audition for Jazz I, and I blew it. In hindsight, I could have won had I not been exhausted, because my embouchure was never right. I could only play for about an hour before my face started sliding down into my neck…. and because I was in three performing groups, I never had the time to back off and correct it. Plus, the audition was after school, where I’d already played for three hours.
sound, and special guest 
Stories That Are All True 