I don’t know how I did it.
But I have a guess.
Somehow I did not post yesterday’s entry before the clock flipped over on the server. So, I did today’s writing prompt yesterday and now I have no idea what to do. I still have food prompt pieces to finish, but it’s not a “finishing” mood. It requires an editorial brain I do not have today. This is the winter of our discontent, the long, dark Bloguary of the soul, the long day’s journey into white (live, laugh, love).
I am being so dramatic for someone who just has to come up with a damn writing prompt on her own. Leslie, you do this every day. Every. Day. Buck up, buttercup.
Pack a lunch, son.
When I’m sitting in my room writing, I remember that scene from the 50th Anniversary Special for “Doctor Who.” Ten, Eleven, and The War Doctor are arguing, and for those who don’t watch the show, that’s three actors playing the same person at different points in their lives. Matt Smith (Eleven) starts laughing when they’re arguing and says, “I just realized this is what it must be like when I’m alone.” “What it’s like when I’m alone” is very much John Hurt, Matt Smith, and David Tennant arguing in my head, because that’s how it’s the easiest to tell what issues are working on which processor.
For instance, the heartbreak of losing Supergrover at my own hand eight years ago is nothing compared to the pain of trying to make it work and repelling each other so that neither of us were happy. But the threads processing on that core are alongside the other core, which is joy that goes all the way back to “you like to rap to Eminem? Explain to me exactly how I’m not going to fall in love with you. USE BIG WORDS..” She said “you’ll fall in love with truth an honesty, as adorable as I might be.”
She’s right. I confused them and then got my head on straight. Trying to prove that my head is on straight has been enormous, because I was jumping up and down for attention in my own way, just not the ways in which she thought I was. She was getting mad at me by focusing on the wrong things. For instance, I wrote her something that meant “there’s nothing that you could tell me that would scare me away and I love you.” She took it as “who you are as a person is bad.” Those messages are drastically different.
Thus, trying to write it all out and it seems repetitive because I’m aware of the fact that not everyone reads every day. I have become the Ann M. Martin of bloggers. There’s a story here, but you have to make it through explaining club rules and characters for the people that would be confused if they read a book as a standalone. It also gives me room to stretch out because I’m not working on all cores every day. I see thoughts from the day before and something jumps out at me.
Blogging seems self-aggrandizing when you’re processing because it’s necessarily all about you. You can’t think about anyone else’s behavior as good or bad, you have to say what happened and how you reacted. You are not an authority on how the other person acted and reacted, because you’re not their combination of experiences or family history. Where it gets problematic is other people thinking I’m being a dick when I’m trying to say “I don’t live in your head, but you certainly live in mine.” Everything I wish I could tell them, but can’t because neither of us have time. I reflect on my problems in the third person when I do.
They’re free to read it, but when they do, they often think that I’m writing the way something went down to hurt them, when I’m trying to understand me. This is not limited to Supergrover, because I talked about her yesterday. This is every single person in my life who is threatened by the fact that I write. She told me at last interaction that I was entitled to all my stories, and I hope to God that’s true. I would never say anything to negatively affect her on purpose, and I’ll leave it at that.
Not just Supergrover, everyone in my life so far has thought about the negative things I’ve said more than the positive. If they can’t give me hell, they take it out on Lindsay because she’s local. I’m not Walter Winchell. I’m Brene Brown in real life. How her stories of “the story you’re telling yourself” play out in an anxious/avoidant trauma bond and how most people have them with their parents even when they haven’t been emotionally or sexually abused. Just as often the child has one style before and one style after. The style after is a mask, a myth we made in the middle of the mess to cope. The relationship with an abuser is always an anxious/avoidant attachment because the kid is so keyed up about accidentally giving someone away, and the adult is a monster, shearing a sheep many times because you can only skin it once.
Just so Supergrover doesn’t get wires crossed and think I’m saying my abuse repeated and she’s the monster, let me take a second and reassure her that’s not what happened at all. We’re just two different attachment styles because of who we are as people, and it’s the two adult attachment styles that have the most compatible wounds because our emotional blind spots are completely different. People who have an avoidant/attachment style have it because someone withheld love from them when they didn’t act as planned, especially their abuser, the one they’ve been programmed to think of as God. Your personality goes back to the moment your reality broke, the moment you became responsible for secrets too big for you to carry…. because the way you’re covering it up is counter to how you used to act, it’s taken as a behavioral issue and few people are smart enough to outsmart a child who’s been programmed not to trust their parents or therapist.
I ran toward Supergrover not because of anything illicit like an affair. It’s that her inner circle feels like being part of Lindsay’s, where I can’t tell people everything she’s working on, even when it affects me directly- like Lindsay’s hand in queer legislation but on different issues. I have been programmed to be a confidant from childhood, and it’s a whole other thing to choose to hear stories that are large rather than to have them put on your shoulders during years 12-14; you don’t even know enough to know that adults don’t do that to kids when they’re healthy. It’s the same dynamic as when a parent’s a drunk- the inversion of parent/child roles. With Supergrover, I get to bring my whole self to the table. I don’t forget about the past, I use it to inform my future. Supergrover and I just did that thing where fools rush in. Now she thinks I want her to tell her my stories so that I have more material, and I think that the reason I have to process so much on my own is that she’s ok with letting me twist in the wind and it is not okay. There are three sides to every story…. yours, mine, and the objective truth. Peace is found in knowing that I am finding my truth and reaching for the objective. But I don’t know the whole story, I know as much as I’m allowed to hear.
While that’s happening, Lindsaay told me I can write the story of us and our ugly stepsisters and to say whatever the fuck I want. My mother and her husband are both dead, and we no longer speak to their family. We just want to move on. The gist of it is that Lindsay found out about the funeral from Facebook. Our stepsisters didn’t even tell us when the graveside service was so we could be there when he was buried next to our mother. I’m going to do a saga, I’m not just mentioning it. I want to find the objective truth, the third eye looking down on both sides. I can’t know the story they told themselves, but I know the story of how it made me feell.
I will find it by writing it out, and so might they. But they’d never let me open the book.

