How often do you say “no” to things that would interfere with your goals?
The thing about being a writer is that nothing interferes with your goals if you don’t allow it. In my particular case, dropping everything to do something for/with a friend adds to the richness of my writing, not a distraction to it. I think of my blog as one of those video games that you can get lost in, because even after you’ve finished the main quest, you have so many side quests that you keep returning to that world. In this case, the main quest will be over when I die. My “stories that are all true” won’t end unless I do. Therefore, my blog is entirely driven by the way the B plots of my life work out. Everything is a B plot when the A plot is just my time on earth.
The main reason I started writing every single day was just to see if I could. If I could be dedicated to such a thing. That I wouldn’t even take off weekends, that blogging was serious business not to draw people in, but to heal me. I have said this before, but this blog is almost entirely my therapy, because a therapist only spends an hour a week with you. You don’t get well on an hour a week. I began to view writing as important as my medication. I have to take my medication every day to make me feel better, so I process my feelings as well.
Sometimes I wait until the afternoon, but most of the time I wake up, fill my water bottle, take my medication, and start writing. It is now 0524. I have been up and down since 0300, and I don’t know why. Oh, yes I do. When I knock myself out with sleeping pills, I go so deep that I don’t need as much. So, if I go to bed at 2100, I’m guaranteed to be up at o’dark hundred.
Generally, when you get entries later in the day, it’s because Zac goes to bed a lot later than I do, so our day starts later when we’re together. It’s an interruption I’m gladly willing to make, because as a boyfriend, he is killing it. Our next date is going to the Kennedy Center to see Jason Moran, and I’m so excited. I’ve known Jason since he was a senior in high school, when I was a mere freshman. He taught me to listen to jazz and analyze it so that I could repeat it, but he didn’t say that. He said, “never take your headphones off. Listen at home, between classes, have a radio under your pillow.” Guess what. I can analyze jazz now. If I see which way the band is going, I can go with them…… and I got that phrase from Konrad Johnson.
Konrad Johnson was a high school jazz band director in Houston, Texas who made fame. Kashmere’s Jazz band is known all over the world now, because one of their charts is on the soundtrack to “Baby Driver.” The way I know Konrad is that he was my director at Summer Jazz Workshop. I cannot believe that I got to work with the two greatest jazz educators in the history of the world, because my jazz director at HSPVA was Robert Morgan.
“Doc” is directly responsible for Jason Moran, Everette Harp, Eric Harland, Robert Glasper, Jon Durbin (The Suffers)…….. the list is endless, because if you studied jazz in Houston, it was probably with him. Everette was before my time, but Robert, Jon, and I were all in the same band. I didn’t choose to continue with trumpet, but I sometimes wish I had. I enjoyed it, I just didn’t enjoy it as much as my dad did, because he didn’t have the same problems with pain in his embouchure that I did.
I could play for about half an hour at a time, and was pushing myself through every concert ever. I could have corrected it, but there was no time. I was either right before a concert, a jury, a something important I couldn’t miss.
My voice is trained much more than I ever trained as brass, and in retrospect, I should have gone the choir route. I think I would have gotten along with Mrs. Bonner, because I definitely did with Mr. Seible (who was my conductor at Bering UMC). That’s because Mrs. Bonner was also a Methodist. 😛
However, I still wouldn’t have been in class with Beyoncé, because my dad was transferred from The Heights to Sugar Land, and I chose to go to school out there. I was grandfathered in terms of the new rule that you had to live within HISD to go to HSPVA, but I didn’t want to commute. It would have been hell every single morning for two years. For reference, it’s about 27 miles, so half an hour at three in the morning and two hours at 8:00 AM.
It worked out. I had a best friend that picked me up for school every morning, in which we listened to the same tape every day. It was “Three,” by Blood, Sweat, and Tears. As a result, I still listen to that album all the time. “The Battle” and “Lucretia McEvil” are my favorite tracks, particularly Lew Soloff blasting the top off that trumpet solo in “Lucretia.”
I met Lew at a Jon Faddis concert in Virginia in 2002. It was great, because he assumed that if I knew who he and Jon were, I was probably a trumpet player. Good guess, but not currently looking for work. He told me I should audition at Manhattan School of Music, because that’s where he was teaching. It was sweet, but I told him that I just liked watching him and Faddis now. The great thing is that Lew was just a fan. He wasn’t in the band that day, we were just making small talk before we could get on the bus to see Faddis.
So, I was charming to Faddis, and the other guys on the bus started busting his balls because he had a fan. It was great.
So is “Into the Faddisphere.”
It’s all B plot. It’s all richness. It’s all side quests.
Nothing distracts from my goals. Everything is a new layer of complexity. I am aging like fine wine, which often takes on new character as the years roll past.
In what ways does hard work make you feel fulfilled?
The title is a music reference, because when you’re the lead trumpet player, depending on where you live it’s called “first chair” or “first desk.” Everyone has a chair, and they’re ranked. Yes, I have been as low as 7th chair. I wish I’d done better on that audition. But I was 7th in the city of Houston. Beat that with stick.
I was also 13 years old.
I am not a prodigy. I make a lot of mistakes. I’ve splatted wrong notes on the back walls of MOST Houston auditoriums, but a time I didn’t and it went really well, I was on a television show called “Black Voices.” I was a soloist during Summer Jazz Workshop. Didn’t make it less funny when I was on camera. I am just picturing all my black friends falling over with laughter right now. “You were on what now?” My favorite was the logo over my big ass glasses.
Another time it went really well was when I was in one of the jazz bands (I was in Jazz II. I told you I wasn’t a prodigy. But again, different playing field. You know who else was in Jazz II? Robert Glasper from “The Robert Glasper Experiment.” and Jon Durbin from “The Suffers.” If I’d stuck with it, maybe I’d have a Tiny Desk Concert of my own, but I sincerely, sincerely doubt it. I loved performance. I was unconvinced by hard work. It’s not because I didn’t want to do hard work. It’s that my embouchure was wrong (how you set your jaw and ilps), which made practicing for more than a half hour complete murder, and it’s good concerts don’t last that long because I’m not sure I would have made it through all of them, either. For that reason alone, symphony was wonderful for me because in general, trumpet parts in classical music alternate between resting for 200 measures and the most majestic clarion call you’ve ever heard. It feels like being a goalie when your team is superb.
Most of the time, everyone is on the other end of the pitch, but when it’s your turn, you come up BIG. You have to have enormous balls for classical music, because a random eighth note high A in the middle of nowhere and perplexingly alone is not uncommon. The other thing s that I could hit a high A out of nowhere, but it may wander a bit in pitch from left to right until I find dead center. In classical music, this is not an option. It must be crisp and clean, every note tapered. The hard work was never the notes, though. The hard work for me was in reading music the first time accurately, which takes thousands of hours to learn how to do.
I have never been so relieved in my life than when I went to a huge ass choir competition in high school. The sight reading portion was lifted straight out of the United Methodist Hymnal. It was the first time in my life I had “sight read” anything so perfectly. And no, I did not tell anyone…. no trumpet player (or soprano, for that matter) would tell you they had an edge at something. Trumpets are line cooks. Sopranos are line cooks with nail polish.
I got into choir the same way. I auditioned, and I got into the junior varsity choir. I asked the choir director, “are you sure? I’ve done major works at my church…. messiahs and requiems and all that stuff.” Believe me, questioning her was the hardest work I’ve ever done, but I came up big. She gives me this contemptuous look and throws a Handel at me. Hard. Then, she picks the most exposed, most difficult entrance she can find……………… FOR HER. Bitch, I earned this. She thought she was so clever, but I’d been in the adult choir for three or four years by this point. You know what you do EVERY SINGLE YEAR? The Messiah, or at least highlights. Few churches put on “the whole thing” (in quotes because even that is redacted most of the time by taking out optional sections. It’s long. It’s really, really long. And you do “The Hallelujah Chorus” occasionally at Easter as well. This was not a piece with which I was unfamiliar. I’d memorized the highlights by now…. and if I could explain my voice type, it would be “Charlotte Church as a teen.” My voice (and hers) has matured, but still what people at Bridgeport used to call my “high, high, fluty voice.” I drove that audition like I stole it, and I was the first person in the history of Clements to be in varsity band and choir at the same time.
I’ve just noticed I sound like an obnoxious dick. It goes with the territory, but I figure I can tell you I’m good at something when I’ve spent so much time telling you all the ways in which I need to get it together and how my life is an emotional dumpster fire of my own making a lot of the time.
Additionally, I gave up trumpet a long time ago. I’ve taken prescription meth for a very long time (Adderall or Concerta, depending on what release schedule we’re doing this month……… eyeroll……..), and it has been murder on my jaw and teeth, just like for junkies. Therefore, playing my horn is painful because of the sound vibrations. The fact that I don’t play anymore has not occurred to the rest of my personality, because I have turned ego up to eleven when I need it. The key words are “when I need it.” I don’t need to walk around DC feeling 10 feet tall and bulletproof all the time. I’m sure that if I dressed like a baller I could walk into any meeting anywhere and fake it. You cannot convince me for love or money that I do not have the smarts to be a Rep or a Senator. Not possible anymore. But I have the mental acuity to do the job. I am woefully unelectable, mostly because I would hate every minute of campaigning. I would frustrate the fuck out of my support staff because my answer to every problem would just be “let’s skip it. There will be people there. ” But if I was in Congress doing the job, I’d be as diligent as ADHD allows you to be, and on my worst day I would wipe the floor with Y’all Queda. I’d probably be censured by my own party for my language, but nothing I said would be untrue. Congress has issues and they scare me. The legislation doesn’t matter right now. The people are sub-par, and that’s okay now.
Because of all of these experiences (except working in Congress. I was a political science student, so I know about working in that part of Washington, I just don’t.), writing sets me on fire. I’m old enough now that I really have stories. It’s age that gives me credibility now, because I don’t have letters to fall back on. Graduating from college has been a shit show because I am barely capable of working a full-time job and going to school. I should have stayed the extra year in Houston to finish up, but I had a partner with a very lucrative job offer who said “go to George Mason. it’s right across the road.” I didn’t even get a chance to enroll and register for classes before that deal fell apart.
Besides, I got my money’s worth, anyway. I wasn’t one of Brene Brown’s kids at Graduate School of Social Work, but she was one of mine when I was the supervisor of their computer lab. I actually got into the Graduate School of Social Work contingent upon my BA. I’d just helped the Dean figure out a very complicated computer issue and she was very grateful. But I didn’t get into GSSW based on that issue. It was based on the conversation I had with her while trying to fix it. I always chat about nothing because people have no idea what I’m doing. All they hear is “blah, blah, blah, I’m done.” So, we engage in small talk and she’s the Dean of the GSSW and I’m an INFJ. I didn’t get in because of what I do. I got in because of who I am.
The thing is, though, I’d forgotten all about it because all I heard from Kathleen was “blah, blah, blah let’s go to DC.” And if I had thought about it, it wouldn’t have changed my mind because unless I’m at my family’s house and never leave to do anything, Houston feels like a toxic mess. The only exception to this is that Lindsay still lives there and introverts don’t make friends. An extrovert adopts you and drags you into public.
That’s the hard work right there. Being industrious enough to make my own friends and get my own dates. It took a lot of courage to lay it all out in front of Zac and say “this is what I’m dealing with, are you in?” In fact he was. ❤ The added bonus is that Zac told me that he was military intelligence the second time I met him, but not the first. So, I actually was brave enough to get my own date that time and manifested a really great partner, because my interest in intelligence doesn’t come from him. It just provides us with “intelligent” conversation.
He doesn’t emotionally overload me and I don’t do it to him. That’s because I process like a lesbian all day and by the time it’s evening I do not give a fuck about my feelings. (I just laughed so hard I would have made Oliver jump straight in to the air if he was here.) Zac doesn’t hear my bullshit, because I don’t need him for that. In fact, it’s great when he opens up to me about his problems, because I’ve spent enough time on myself.
Editor’s Note: Straight women are crazy. Absolutely insane. Why do you not date bi men when you’re all over gay men like white on rice? I would bet A LOT of money that my boyfriend smells better than yours and I’ve never even met him. Remember when we used to have a special term just for straight men who bathed? Straight women worry a whole, whole lot when his ex is male. They can save a lot of time and energy by not doing that.
Also, I’m a good enough writer that I could have gotten into a GSSW anywhere. You see all the stream of consciousness crap, but I clean up nice. 😉 I sometimes feel bad that you’re getting the B-sides and rough drafts, but at the same time, this is the hard work (said in Kristen Bell’s voice). Blogging is writing as a valid art form. It is a lesliecology of brain droppings in which I can cherry pick the best lines I’ve come up with and use them elsewhere. So much of my writing comes from e-mail and Facebook comments because I’m reflecting on something that someone else said, or something I’ve written previously works even better in another context. Making the commitment to write every day without fail. I got up to 63 days before I broke my streak for one. This is because writing is a muscle. I will not be a good writer until I can write in any mood, in any situation, in any anything. Creativity is a grind, and I will not be where I want to be without woodshedding, a music term that extrapolates nicely here.
When you’re practicing, some parts of a piece are really easy. The notes, that is. You still have to craft a narrative and that’s where the work comes in. That being said, you have to be technically accurate before you can craft the narrative, so you isolate the four measures in which you’re really going to be screwed during a concert if you miss. In a symphony, you have moments where if you miss a note, it won’t be noticeable because there are 150 people playing next to you. At others, there are three. When you’re out there all by yourself, it is frankly really fucking scary. You learn to manage, but it doesn’t go away.
Through voice lessons, I’ve become a phenomenon with singing comparatively.
It’s not how good of a singer I am, it’s what a train wreck of a trumpet player I was. I mean, obviously, there are high points to when I was living that life, but I feel so much more at home in my body as a singer because apparently the large amount of metal in front of my face was blocking my talent.But now that I’ve worked really hard in all things, given my whole heart to everything and everyone I’ve ever loved, I only have one thing left to say.
When is the last time you took a risk? How did it work out?
I take risks all day long. Up until now, I’ve been in relationships with women. I’m genderqueer on the outside, genderfluid on the inside. Stepping out my front door is an act of courage, and not cowing to the demands of what society puts on women is another. I do not owe it to the world to put on makeup.
It might not make me look like a drag queen, but I certainly feel like it sometimes. I’m just not used to it anymore. It doesn’t feel natural like it used to. It feels like paint. So, I’ll still wear some (occasionally), but only mascara, eyeliner, and a bit of lip gloss. Jeremy Renner was a makeup artist before he was on camera, and he said something that made sense to me. All you need is to frame your face.
I have cut foundation out entirely, because that’s where skin problems start. I had horrible systemic acne as a teen, and fixed it with Accutane. Since then, I’ve just taken care of my skin. I don’t really have to do much- soap and water is just fine, as long as it’s not the cheapest soap you can find. Right now, I’m using African black soap, which clears up acne naturally…. And yet, Dove works fine, too. All I’m saying is that I chose to clear up the problem with pills rather than a multitude of creams that probably wouldn’t have worked, anyway.
After a time, it became impossible to control my acne with just topical applications, and it was a risk taking Accutane at all. There were horrible side effects- bone pain in my back and legs, dry skin (which wasn’t that bad until it was my lips), and my emotions were all over the place. I wasn’t on any psych meds at the time, but it wasn’t unrelated, either. One of the primary warnings is suicidal ideation….. probably because it makes you feel so bad that if you’ve been on it, you know that some days death would have been a welcome relief rather than trying to stand up fifteen minutes in a row.
In the end, it was worth it and I would do it again. But while you’re going through it, there’s really no end in sight. It takes six months, at least, and if it’s bad enough, you have to do it twice. You’re basically trying to kill all the oil glands in your face. It works, but it is a bitch and a half.
It was most embarrassing having to say to people so often, “no, I am not pregnant. I am not planning on becoming pregnant.” No one was being mean to me, the effects on the baby would have been that severe. But of course, it tapped into my worthless feelings because I knew I’d never have a baby. That’s crazy talk. Keep in mind, I was like 19. I finally just started saying I was a lesbian, and it stopped cold…. And then lesbians just HAD to have kids and make it normal….. God, you guys. 😛
I was completely obsessed with myself, but not in terms of vanity. I hurt all over, from constant headaches to backaches to period cramps being ten times as bad. That kind of constant pain wears on you, and I was waiting tables at the time. Just pain on top of pain.
When I think of that time in my life, the pain resurfaces, but it’s filtered through the fact that I only had to endure it for a short while…. Maybe a year. But I know chemo patients who have had it less rough than that.
Now, I have really good skin, but other problems with my health that need addressing…. And that is a risk, too, just because I don’t like going to the doctor. I think I know everything. But as I’ve said before, being the best doctor you’ve got isn’t a ringing endorsement.
And the truth is that I hate going to the doctor because no one knows me in Maryland. Outside my little Texas bubble, I don’t have any connection to a medical family and doctors get pedantic with me right away…. Even when I say things like “I have Aleve at home and it’s not working. Could I try Celebrex?” Then the doctor will say something like how I don’t need anything that strong and I’ll say “I don’t need a stronger dose of anything. I need both the Cox-1 and Cox-2 inhibitors” and all of the sudden a light dawns AND I CAN SEE IT HAPPENING. “Oh, she wasn’t kidding when she said she came from a medical family. Maybe she does know something.”
I am not here to give medical advice to anyone. I know my own body… and I am perfectly fine with OTC pain meds 90% of the time. If I was asking for Tylenol #3 or Vicoprofen, I could understand a doctor’s hesitation. No one is trying to scam you for narcotics, dude. I have enough issues. I don’t want addiction to be one of them.
Plus, I’m an introvert, and I don’t like dealing with people. It is a necessary evil. So, if I am not in any danger and I already know what’s going on, I can treat myself within limits. I don’t need to go to the doctor for bad allergies or a cold. I don’t need to go to the ER because dollars to donuts my pain won’t be taken seriously and I’ll be given a prescription for 600mg ibuprofen when I CAN COUNT, thanks (regular is 200mg). The one thing I won’t do is argue, because I don’t want to be accused of drug seeking behavior. That means even when you’re *really* bad off, no one will pay attention to you. It’s The Boy Who Cried Wolf…. Even when it’s not.
It’s a risk to see a doctor because you’re working off a thousand assumptions that have nothing to do with you. The doctor is running heuristics on my pain as easily as I do with emotional situations. However, I have never had a doctor be compassionate enough to see that I needed more than over the counter medications and I’m not dumb enough to insist that’s what they should do. I grit my teeth a lot.
In fact, the one doctor who did think I was in that much pain didn’t go to medical school in the United States, and therefore, could hold my hand and do little else. I had a housemate from Nigeria, Franklin, and one night I was cooking for us. I managed to slice into my finger while cutting a raw sweet potato, and the knife came down on my finger with force…. To the point I was scared to cook for a while. Franklin said later that he should have taken me to the ER because I needed stitches. I told him he was right, but that I had enough experience in a professional kitchen that it wasn’t an emergency. It was Tuesday.
It took forever for the finger to heal, but luckily, no nerve damage. The only nerve damage is from before I was a cook. I was 16 and still living in the parsonage when I sliced my thumb while cutting a lime for my Diet Coke (yes, I was 100% That Bitch). I’m 45, and there’s still a dead spot on the palm side.
Learning to cook professionally was a risk because I knew I wouldn’t be spectacular at it, I’d just have a ton of fun. And I did. Even when I was injured, it was fine…. Most of the time. I won’t lie and say I was always Mama’s brave little soldier, but in that kind of pressure cooker, losing your shit has to be in very small increments. There’s no time for anything else.
The job that came with the best perks was working in a restaurant at the Portland airport, because I had a badge that let me walk directly onto the tarmac. It was refreshing to go and take a break and watch the planes, which you can do in an airport restaurant because you can look at the loads for the day and tell when the pops are going to be.
It’s also a big risk to take a kitchen job, because there’s always a definite start time. Good luck finding the end.
I had a love-hate relationship being the last one out, because the last one out is the first to get blamed in the morning. Part of it was petty day crew/night crew bullshit. Part of it is that I’m physically weak and forget a lot. So whose fault it actually was in each instance isn’t important. What’s important is that it was relentless. I couldn’t win either way. So, whether you believe I am the best cook or the worst, it still sucked to walk in to a laundry list of my failures…. Particularly when another cook told management that I was the one who left something out, and he did. I took the fall for his raw chicken sins.
Being a writer is a risk. People think I flippantly post things, and I sweat blood. I had to get into the habit of hitting post as soon as I was done with an entry, because to wait was to let imposter syndrome set in. Nothing would ever be good enough…. And it still isn’t, but you people are too kind.
I would like to take a risk and go sit with the bees, but I can’t today. They don’t like rain, and today it is big, fat drops. I’m not sure I would love it out there, either. But Magda has grown lavender in the side yard or at least a year, and the bees love it more than life itself. I just wanted to clear it up that we do not have a hive. I have not had an audience with my queen. I just know all her loyal subjects, who listen to me as if they have nothing else to do because they’re better at multitasking than I am.
If I wear my blue hoodie, I am more attractive to them. I can’t decide whether I like that or not. They’re never aggressive, not ever. I just have to decide how comfortable I am with bees on me… because if I make a bad move and it is misinterpreted, there is no “Undo” feature.
I’m just glad that we have a safe space for bees in our yard, because I feel emotionally connected to them in more ways than one. Claire talks to her bees in “Outlander,” which makes me feel like less of a crazy person for doing the same. And I’m a cook. The plight of the bees is mine as well. Incidentally, my favorite version of “Flight of the Bumblebee” is twofold. The first was hearing Wynton Marsalis on a recording. The second was hearing Clark Terry do it live in a master class.
Speaking of which, I love meeting famous people. It’s always a risk, but it pays off. I come away with an interesting story, some of them interesting enough where the famous person will remember me, some not so much.
I could tell that I tickled the hell out of Wynton Marsalis when I told him I’d been waiting my whole life to meet him…. Just stifling his laughter at how long that must have been in all of my 15 years.
It’s kind of fun being able to say that I met so many people at HSPVA before they were famous, because the part of them that’s not famous is what I like best.
One of my favorite random conversations happened at the pub where I worked before the pandemic. I sat down at the bar for an ice water and a shift drink, and asked the guy next to me what he did. He said, “I’m a sound engineer for NPR.” He said, “what do you do?” I said, “I sling hash for a living.” The fucking bartender said, “I thought you worked here. You didn’t tell me you were a drug dealer.” The NPR sound engineer laughed until he cried.
I couldn’t even breathe I was laughing so hard, because this bartender was young enough to be my son. “Slinging hash” had a different meaning in his world.
Moving to DC was a big risk, but it paid off because I get to have these conversations all the time. I am permanently stuck at the smart kids’ table, right where I need to be just to soak up information…. And not filling my ears with hot air. So much more interesting to talk to people who make the news than watching it at night or listening on the radio.
Also, not going to lie…. Pretty great standing in front of a gaggle of groupies and talking to Robert Glasper when he says, “SHIT! You from the crib…” Grabbed me and hugged me like Mr. Hattox’s history class was yesterday and not 30 years ago. We didn’t take a selfie that time, but I think I got one on the next tour. By the time I got to talk to Robert after the first time I saw him, we were both exhausted and I didn’t think either of us would look good, anyway.… nothing to put on the refrigerator, anyway. I prefer it. I didn’t capture the look on Robert’s face when he saw a high school friend. That look was just for me.
I think I’ve said this before, but I knew Jason Moran back in the day better than I knew Robert Glasper, but yet still a risk to go and talk to him because I wasn’t sure if he’d remember me or not. He absolutely did, and I felt silly for wondering. I told him that I’d written to one of his albums, Ten, for a year. He turned around to the whole band and said, “hey guys… she wrote to Ten for a year.” I was so honored, because it meant something to him that his music fueled me, and meant something to me that he thought it was important enough to tell the band.
One of the big risks I took in high school was attending Summer Jazz Workshop, where I got integrated into the Houston jazz scene. My one claim to fame is that I was the trumpet soloist when my band was on a local television show called “Black Voices.” It was hilarious because the “Black Voices” logo appeared, and then my big white face with even bigger glasses.
Don’t get me wrong. I wasn’t a prodigy at trumpet or anything else. I just decided to take a risk, because getting to be in the band at all was the point. I remember Doc Morgan, my jazz director at HSPVA, saying that he was going to miss me getting to do the traditional “senior tune,” where every graduating member of the band gets their own solo. I told him not to worry, that he’d featured me so much as a ninth grader that I felt like I already had mine… and it was true. I remember one solo that went extraordinarily well, and he said, “Leslie Lanagan… Ninth grade, ladies and gentlemen… NINTH GRADE.”
I peaked too soon, but it was worth it. I got the experience of a lifetime before being thrown to the wolves in marching band. That was its own special kind of risk…. But at least I only fell in rehearsal once. That is because I was marching backwards and either I ran into a bass drummer or he ran into me…. Unclear.
It was physical and alien, made torturous by the Texas heat. I do not regret the risk of staying in, of feeling embarrassed until I didn’t, allowing myself to suck at something until I didn’t. Being in the marching band was required to stay in the symphonic band, and came with a free trip to San Antonio, where we were presented The Sudler Flag, honoring the best of Texas music education…. And since my mom was a music teacher, she was already at the (Texas Music Educators Association, or TMEA) convention and got to hear me.
The last huge risk (huge) was preaching at Bridgeport, and I didn’t even do that until I was asked. No one really knew me, didn’t know where I’d come from, and didn’t expect anything. Sometimes, I was on fire (according to me) and sometimes I sucked (also according to me). But the thrill was becoming experienced at something I’d only watched from a distance…. And as it turns out, I’m like every preacher in the world. The sermon you think sucks is what everyone remembers, and the sermon you thought was gold is straight trash.
So that’s how I view this web site, too. It’s a risk, but I know that the very worst entry I write, someone will absolutely adore. Something I like will languish, because people don’t think the way I do, and thank God for that. Otherwise, I would be preaching to an echo chamber.
Easter is a hard day for me in terms of grieving my mother. Because here is what is supposed to happen today. We’re supposed to wake up early so that Lindsay and I get our Easter presents, even when I’m not living in Houston and open my presents with her while she’s on the phone. Usually, it’s money and a metric tonne of chocolate, including a hollow bunny for the annual drinking of the Dr Pepper. Then, my mom and I both go off to our volunteer jobs. For a lot of my life it was playing my horn, and for the rest, singing in the choir. The first year after my mom died, I went to Easter services and cried all the way through it. This year, I am not even thinking about leaving the house. We’re having a to-do with “the family,” and that is enough.
This morning, Hayat and I sat around drinking coffee and eating Milanos, but first, I talked to my dad as he was on his way to play his trumpet at Second Baptist.
It’s kind of cool that between TV and Facebook Live events, I can actually hear him play, and sometimes see him in the background. It makes me happy because he is just as good as he was in high school/college. I, however, am not. Some of my fondest memories are of being on the brass line, so it’s nice to live vicariously through him.
Before there were church jobs for me, though, there were trails of plastic eggs filled with candy and/or malted milk eggs to our Easter baskets filled with that fake grass that gets damn everywhere. In third grade, I asked for a goldfish, and I got it. I don’t think I’ve ever been happier with a present, because it was a black moor, and he was so incredibly cute. I managed to keep him alive for probably two years, a miracle since at that time, I didn’t know that goldfish desperately need an aquarium to breathe properly. He just had the classic bowl setup. I’d sit in front of the bowl and just stare at his googly eyes, wondering if he was lonely and deciding that no, he was okay. He had me. This fish is absolutely the reason I’ve kept goldfish most of my life, and will continue to in memoriam…. both for that fish and the one who gave it to me. I wish I could remember what I named it…. I’m usually pretty good about these things. For instance, I remember that Dana and I had a whole tank that we gave eastern names- we had Samir, Saeed, and Zain. Saeed came from Lindsay’s high school boyfriend, Zain was his cousin, and Samir just fit with the theme. But third grade is so long ago…. I’ve slept since then. I want to say it was Malcolm. Don’t quote me on that.
I wish I could remember other presents I got, but I only remember the candy. This was the big highlight, so the one that sticks in my memory the best. I thought it was hilarious that my mother was so big on giving us chocolate for Easter, but never really ate any herself. However, I think she enjoyed my goldfish as much as I did. I often wonder what made her pick the black one, or how she knew they were my favorite. But my mother was sneaky like that. She had the memory of an elephant, so I could say that I liked something and it would magically appear up to three years later…. and I never found any indication that she wrote stuff like that down.
I would make wish lists on Amazon for Christmas, and she never bought anything from any of them, preferring to listen to me and surprise me with things I’d forgotten about long ago. But Easter hasn’t been about presents since I was little. It’s been about hard, hard work. Hours upon hours of rehearsal and laryngitis and my embouchure being plain worn out after several services in a row. The trumpet descants were always better than the soprano ones, so when I gave up trumpet, I would sing those descants as a soprano instead….. unless the organist surprised me by playing his/her own modulations and the descants didn’t fit into the chord structure anymore. I think that only happened once, though, so I pretty much got away with it every year.
As you can imagine, even entering a church is difficult for me now, because I just see my mother everywhere, and it is not as comforting as one might think. It is just a reminder of despair, because there is no better synecdoche for my mother than a piano… or an organ…. or a choir robe…. or a really great alto part….
It’s hard to swallow because I miss choir, but I don’t miss feeling like crap every Sunday because I cannot rise above grief (at this time).
Perhaps the answer is in thinking that my mom’s resurrection is within me, carrying her music into the future.
I’m just not there yet. I mean, I haven’t even bought a goldfish.
Today, I did nothing. Not the kind of nothing that means wrapped in the covers. The kind of nothing where my dad had to take care of a few things and I was just the running buddy who held stuff. I have a big backpack, and I have a lot of practice. My main job as a PK was to ride along with my dad and hold stuff. Maybe I should figure out a way to work it into my resume. Great at following people around and when they say, “will you hold this?,” will always say “yes.” I was almost to body man level when I forgot the most important thing. We were transferring everything from my dad’s rental car to his actual car because it was finally finished at the shop. His checkbook had fallen into a crevice, and it was the only thing I didn’t see. I did get the empty Fritos bag, though, so I got that goin’ for me.
Right now he’s at rehearsal for Christmas Eve services, but before he left, he let me play his brand new horn. I was amazed- I was playing better than I had in years, because the horn was designed to be able to do more with less air. Apparently, I am less full of hot air than I used to be, so the notes floated off effortlessly, even though I can’t remember the last time I even thought about my embouchure. I wasn’t trying for crazy high notes or anything. Those days are gone. But I remembered how to get that fat, lazy tone I had in high school, the kind you can fit inside if you close your eyes. My dad asked me if I wanted to come with him and play. I ultimately declined, but I thought about it. Playing on the brass line at Second Baptist is a lot of fun, because even if I have extreme theological differences with other brass players, they won’t come up. We’re too busy busting each other’s balls. That’s so universal it’s a light bulb joke.
How many trumpet players does it take to change a light bulb?
Five. One to actually change the bulb and four more to stand around and tell him/her how much better they could have done it.
I swear to Christ, trumpet players don’t mentally age past fifteen when their horns are in their hands.
I just knew that even if a few notes came out perfectly, that didn’t mean I had enough endurance to last a whole rehearsal, much less a performance, and the balance would be different if I was there for one and not the other. I didn’t even take a horn to DC, not having anywhere to practice and wanting to focus solely on singing, anyway. Now, I’m not even doing that. I should, though. I was doing some really good work back in the day, amazed at how my voice teacher was able to unlock me into a solo artist when before, I’d always felt like a trumpet player who faked it….. even though I started singing when I was three, and didn’t pick up trumpet until I was 11. Well, technically I was 12 or 13. My first year in band, I played the baritone/euphonium, because the mouthpiece was a lot bigger and therefore, did not press on my braces. Once the braces were off, I switched instruments- mostly because the euphonium was almost bigger than me.
I was an incredible trumpet player alone in a practice room, but I got stage fright so badly that it’s a miracle anyone ever asked me to play for anything. I’d also get so nervous that I’d get lost, and once, during a solo, I came in a measure early. The entire band caught me so that no one would notice, and the band director said he wished he could take them all out for a beer afterward. With singing, though, I am ten times more confident, and it shows. I’m not sure I can count any better, though. 😛
It feels weird not to be singing anywhere for Christmas, but I am glad to be free of the insane rehearsal schedule this year, just sitting back and watching. Advent and Christmas are all about watching, anyway. This year, I’m just taking it literally.
Doing nothing, but not the kind that means wrapped in the covers.
There is no place that I would rather be than here on my writing couch. That is because yesterday, I helped a friend move (I have a truck, so…), and now I am so sore that my muscles are in revolt. Right now, resting is good. I’m trying to make it where the only thing that moves is my fingers. When this article drifts into nothing, you’ll know that even they have seized.
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I took up trumpet somewhere along my sixth grade year. This is because when I was in fifth grade, I had braces on my top front teeth, and my dad thought it would be too uncomfortable for me to play trumpet. I started on what, in some parts of the country, is called a baritone, in others is called a euphonium, and in both cases are made of metal and hatred.
Interestingly enough, I was pretty good. Living in a small East Texas town where the band took up the front row of three cafeteria tables, you wouldn’t think that there would be much chance for advancement. However, my band director was a trumpet player, and so was my dad. Even though I had to pick up the finer points on my own, I couldn’t have had a better foundation for brass.
Again, though, the euphonium wasn’t cool. The moment those braces were off, I dropped it.
My dad was right. Trumpet wasn’t as easy, but I was going to learn how to play it if it killed me. That is because the idea of playing trumpet and the camaraderie on the bus is different than the reality. I never got my embouchure right enough so that my lips didn’t hurt after about 45 minutes. I could often be the best trumpet player in my school for fifteen minutes at a clip. I could figure out the notes and the rhythms and learn how to wail on the high notes, but it never lasted very long because I was in so much pain.
For the trumpet players reading this, I know you could have fixed me. It’s ok. You all think you can, and you should, because not to think so is not to have the audacity of a trumpet player. It’s in your nature. Go back to your cages and mama will be around with bananas if you’re good.
I also had gut-wrenching stage fright. I have no idea where this came from, no idea where it started. But you could listen to me practice and listen to me perform and wonder if it was the same girl. I was so much better when no one was watching me, especially my teachers, because I was kind of afraid of them (in a healthy way, I think).
I would like to joke that I suffered through trumpet lessons, but I didn’t. My teachers were fabulous and I didn’t listen to them and that’s why it felt like suffering. See, the problem was the way I rested the trumpet on my lips while I was playing. In order to fix the problem, I would have to completely overhaul it. My teachers and I came to this conclusion when I tried every mouthpiece known to God and man and I still couldn’t play for more than an hour. I also tried Carmex, no Carmex, Vitamin E, lidocaine, everything. 45 minutes.
I still play, actually, but because I still haven’t fixed the original problem, you will get six minutes of loveliness.
Because the audition only lasted fifteen minutes, I got into High School for Performing and Visual Arts. It was here that I met my hero.
Wynton Marsalis came to HSPVA for a master class, and I WAS IN IT! He played it all, from classical to blues, and when it was over, I went up to him and stuck out my hand. “Wynton,” I said. “I have waited my whole life to meet you.” Keep in mind that I am probably 15 years old. I have been waiting a long, long, long, time.
He handed me his horn so that I could look at it up close, and said, “Awwwwwwwwwww…. thank you, baby.”
It is no coincidence that my favorite jazz track is “From the Plantation to the Penitentiary.”
In third grade, I asked for a goldfish, and I got it. I don’t think I’ve ever been happier with a present, because it was a black moor, and he was so incredibly cute. I managed to keep him alive for probably two years, a miracle since at that time, I didn’t know that goldfish desperately need an aquarium to breathe properly. He just had the classic bowl setup. I’d sit in front of the bowl and just stare at his googly eyes, wondering if he was lonely and deciding that no, he was okay. He had me. This fish is absolutely the reason I’ve kept goldfish most of my life, and will continue to in memoriam…. both for that fish and the one who gave it to me. I wish I could remember what I named it…. I’m usually pretty good about these things. For instance, I remember that Dana and I had a whole tank that we gave eastern names- we had Samir, Saeed, and Zain. Saeed came from Lindsay’s high school boyfriend, Zain was his cousin, and Samir just fit with the theme. But third grade is so long ago…. I’ve slept since then. I want to say it was Malcolm. Don’t quote me on that.
Stories That Are All True 