When I think about the traditions of my childhood, the one that rises above all the others is the Advent wreath lighting we did every night in December. It was simple, but it felt like ceremony — the kind of ritual that made the whole house shift into a different register.
My dad or mom would read the devotional, and more often than not it was The Best Christmas Pageant Ever. I can still hear certain lines in my head, the cadence of them, the way they landed in the room. It wasn’t just a story; it was part of the season’s architecture, something that returned every year like a familiar star.
We’d sit in the glow of the candles, the room dim except for that soft, flickering light. There was something about that moment — the quiet, the warmth, the sense that time had slowed down just for us. And then, of course, the Advent calendar chocolate. One tiny piece each night, chosen with the seriousness of a sacred act. It was such a small thing, but it felt like magic.
Growing up the child of a pastor meant living in the public eye in ways that were sometimes heavy. People watched us, expected things of us, projected things onto us. But inside our house, during Advent, the pressure softened. The rituals were ours. They were symbolic, yes, but they were also tender. They made the season feel enchanted rather than performative.
I think my sister would say the same — that those nights around the wreath were some of the sweetest parts of our childhood. They were moments when the world felt safe, when the symbolism didn’t feel like obligation but like wonder.
Those traditions didn’t survive into adulthood in the same form, but the feeling of them did. The candlelight, the story, the sense of being held inside something meaningful — that’s the part that stayed.
Scored by Copilot, conducted by Leslie Lanagan

