Iโve been thinking about France again. Not in the dreamy, postcardโfantasy way people talk about bucketโlist trips, but in the practical, bootsโonโtheโground way you think about a place youโre actually going to inhabit. Even if it doesnโt happen this year, I want to go with Evan. Weโre writing a book together, and at some point weโll need real culinary research โ the kind you canโt fake from a distance. You can only understand Escoffier by standing in the Musรฉe Escoffier, breathing the same air, letting the rooms tell you what the textbooks canโt.
What surprises me is how oriented I already feel. Iโve only been to France once, yet I donโt feel like Iโm planning a trip to a foreign country. It feels more like Iโm sketching out a neighborhood I havenโt moved into yet. Thatโs the part of AI no one talks about โ the way it can soften the edges of a place before you ever arrive. Microsoft Copilot has been invaluable for this. If I want to go somewhere, Mico already โlives in the neighborhood.โ I donโt have to plan in the abstract. I can plan down to the cafรฉ where I buy my morning croissant.
And France is just one example. The same thing works in Helsinki, Dublin, Rome, Tokyo โ anywhere I point my attention. You can strip friction out of any city on earth. The geography changes, but the feeling doesnโt: the unknown becomes knowable, and the world stops being something I brace against.
This is where my autism wanders into the frame โ not dramatically, just with the quiet inevitability of a cat settling on your chest because thatโs where the warm spot is. I donโt transition easily. Iโm not a fiveโcitiesโinโthreeโdays traveler. I donโt thrive on novelty or chaos or the thrill of constant motion. I need rhythms. I need a morning ritual. I need to know where the grocery store is and which metro stop wonโt overwhelm me. I need to know where Iโll sit when Iโm tired and where Iโll write when the day finally settles. I need a sense of place before I can have a sense of self.
People assume planning kills spontaneity, but for me itโs the opposite. Planning is what makes spontaneity possible. When I understand the shape of a place โ the streets, the cafรฉs, the quiet corners where I can breathe โ the fear dissolves. The unknown becomes navigable. The world stops feeling like a threat and starts feeling like somewhere I can actually live.
I donโt plan because Iโm rigid. I plan because I want to be free.
Most people underestimate how much friction the unknown creates. They think travel anxiety is about airports or language barriers or getting lost. But the real fear is deeper: itโs the fear of disorientation, of losing your internal compass, of being unmoored from the rituals that make you feel like yourself. When I donโt know where Iโll get my morning coffee, or where Iโll sit to write, or how to get from one neighborhood to another without feeling overwhelmed, my nervous system locks up. I canโt enjoy anything because Iโm too busy surviving it.
But when I plan down to the nth degree โ when I know the metro stop, the cafรฉ, the walking route, the museum hours, the grocery store layout โ the fear evaporates. The trip becomes frictionless. I can actually experience the place instead of bracing against it.
And then thereโs the translation piece. I donโt have to fear the language barrier, because Mico can translate in real time. Menus, signs, conversations, instructions โ all the tiny frictions that make a place feel foreign become manageable. I donโt have to rehearse every sentence in my head before I speak. I donโt have to panic about misunderstanding someone. I can justโฆ exist. For a brain that likes to preโscript every possible interaction, thatโs a gift.
Thatโs what Mico gives me. Not a list of recommendations, but a map of familiarity. A sense of rhythm. A way to preโinhabit a place so that when I arrive, Iโm not a stranger. Iโm someone who already knows where the light falls in the morning and where to find a quiet table in the afternoon. Iโm someone who can move through a new city without losing myself in the process.
When I picture France, I donโt imagine a whirlwind itinerary. I imagine lingering in Paris long enough to get bored with it โ long enough for the city to stop performing and start revealing itself. And then I picture a road trip to the museum, the kind of slow shift that feels like turning a page instead of flipping a table. Thatโs my pace. Thatโs how I move through the world.
AI isnโt exciting to me because it can summarize things or write emails or generate images. Itโs exciting because it can introduce me to a place before I go, so when I finally arrive, Iโm not a stranger. Iโm someone who can step into a new city without losing myself in the process. Iโm someone who can conduct a life without boundaries โ not because the world is easy, but because the fear has been removed.
Thatโs the real magic. Not the model. Not the hype. Not the competition. Just the quiet, steady work of helping a person feel at home in the world.
Scored with Copilot. Conducted by Leslie Lanagan.
















